Description

Book Synopsis
As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication.

Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.

Table of Contents
Bernini and Antiquity - The Baroque Paradox.

A Poetical View

Bernini's Portraits of No-Body

Bernini's Bust of Francesco I d'Este. "Impresa quasi impossibile"

Bernini's Bust of the Medusa: An Awful Pun

Bernini's Bust of the Savior and the Problem of the Homeless in Seventeenth-Century Rome

Bernini's Image of the Ideal Christian Monarch

Bernini's Bumbling Barberini Bees

Bernini-Bozzetti: One More, One Less.

A Berninesque Sculptor in Mid-Eighteenth Century France

Bernini's Death

Visions of Redemption

The Rome of Alexander VII.

Bernini and the Reverse of the Medal

The Young Bernini

"Bozzetto Style": The Renaissance Sculptor's Handiwork

The Regal Gift. Bernini and his Portraits of Royal Subjects

Urbanitas urbana. The Pope, the Artist, and the Genius of the Place

Index

Visible Spirit, Vol. II: The Art of Gian Lorenzo

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A Paperback / softback by Irving Lavin

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    View other formats and editions of Visible Spirit, Vol. II: The Art of Gian Lorenzo by Irving Lavin

    Publisher: Pindar Press
    Publication Date: 31/12/2006
    ISBN13: 9781904597551, 978-1904597551
    ISBN10: 1904597556

    Description

    Book Synopsis
    As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication.

    Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.

    Table of Contents
    Bernini and Antiquity - The Baroque Paradox.

    A Poetical View

    Bernini's Portraits of No-Body

    Bernini's Bust of Francesco I d'Este. "Impresa quasi impossibile"

    Bernini's Bust of the Medusa: An Awful Pun

    Bernini's Bust of the Savior and the Problem of the Homeless in Seventeenth-Century Rome

    Bernini's Image of the Ideal Christian Monarch

    Bernini's Bumbling Barberini Bees

    Bernini-Bozzetti: One More, One Less.

    A Berninesque Sculptor in Mid-Eighteenth Century France

    Bernini's Death

    Visions of Redemption

    The Rome of Alexander VII.

    Bernini and the Reverse of the Medal

    The Young Bernini

    "Bozzetto Style": The Renaissance Sculptor's Handiwork

    The Regal Gift. Bernini and his Portraits of Royal Subjects

    Urbanitas urbana. The Pope, the Artist, and the Genius of the Place

    Index

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