Description

"The author's capacity to grasp and interpret these [world media] events is astounding, and her ability to provide insights into a world where unbounded information is circling the earth with the speed of light is startling." —Choice

" . . . a wide-ranging, quirky and dextrous mix of description, theory and analysis, that documents the perils of the global telecommunications network . . . " —Times Literary Supplement

" . . . this is a stimulating, even moving, book, dense with ideas and with many quotable lines." —The New Statesman

"Wark is one of the most original and interesting cultural critics writing today." —Lawrence Grossberg

McKenzie Wark writes about the experience of everyday life under the impact of increasingly global media vectors. We no longer have roots, we have aerials. We no longer have origins, we have terminals.

Virtual Geography: Living with Global Media Events

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£18.99

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Paperback / softback by McKenzie Wark

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Short Description:

"The author's capacity to grasp and interpret these [world media] events is astounding, and her ability to provide insights into... Read more

    Publisher: Indiana University Press
    Publication Date: 22/11/1994
    ISBN13: 9780253208941, 978-0253208941
    ISBN10: 0253208947

    Number of Pages: 272

    Non Fiction , Politics, Philosophy & Society

    Description

    "The author's capacity to grasp and interpret these [world media] events is astounding, and her ability to provide insights into a world where unbounded information is circling the earth with the speed of light is startling." —Choice

    " . . . a wide-ranging, quirky and dextrous mix of description, theory and analysis, that documents the perils of the global telecommunications network . . . " —Times Literary Supplement

    " . . . this is a stimulating, even moving, book, dense with ideas and with many quotable lines." —The New Statesman

    "Wark is one of the most original and interesting cultural critics writing today." —Lawrence Grossberg

    McKenzie Wark writes about the experience of everyday life under the impact of increasingly global media vectors. We no longer have roots, we have aerials. We no longer have origins, we have terminals.

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