Description
Book SynopsisThe aim of this important and still valuable book – first published in 1968 but never before available in paperback – is, quite simply, to help all who approach Virgil’s Aeneid seriously, whether in the original Latin or in English translation, to read it with discernment and appreciation. It offers itself as neither a handbook nor a commentary, but as a critical description of the poem’s structure and aspects of its composition. It begins with a preliminary exploration of the poem’s central purpose; a careful reconstruction of its literary and historical context (following the battle of Actium in 31 BC which made Augustus Caesar master of the Roman world); and a description of the main outlines of its structure. At the book’s core is a detailed analysis of each of the epic’s twelve books, with particular emphasis on the later, less often read ones; and this is followed by two further chapters, one dealing with Virgil’s use of form and some related theoretical problems, the other with a closer examination of the poem’s verbal fabric.
Table of Contents
- Chapter 1: The Heroic Impulse
- Chapter 2: Genesis -
- I. What is the Aeneid about?
- II. The Task and its Problems III. The Problems Solved
- Chapter 3: Structure -
- I. General Description
- II. Structure of the Twelve Books
- III. The Episodes
- IV. Projection of the Narrator into his Narrative
- V. Parallel and Suspended Narrative
- VI. Tempo of the Narrative: Tenses
- Chapter 4: The Twelve Books
- Chapter 5: Form and Technique - Part 1: Form
- I. Not only Homer
- II. Difference in attitude between Virgil and Homer
- III. The Exploitation of Form
- IV. Impure Poetry
- Part 2: Technique
- I. Gods
- II. Characterization and Motivation
- III. Parallel Divine and Psychological Motivation
- IV. Fate
- Part 3: The Contribution of Tragedy
- I. Tragic Attitude
- II. Tragic Suspense
- III. Tragic Irony and Insight
- IV. Implicit Comment
- Chapter 6: Style -
- I. Words Alone
- II. Words in Action (i) The Tradition: (a) Ennius and the Old Poets
- (b) Catullus and the New Poets
- (c) A Common Style (ii) Innovation - callida iunctura. (a) Latent Metaphor; (b) Archaism brought about by Context; (c) Etymological Puns (iii) Ambiguity (iv) Syntactical Ambiguity III. The Virgilian Sentence (i) Metre; (ii) Theme and Variation (iii) Subordinate Clauses (iv) Imagery
