Description
Book SynopsisIn Violence in the Films of Stephen King, contributors analyze the theme of violence in the film adaptations of Stephen King’s work—ranging from the earliest films in the King canon to his most recent iterations—through a variety of lenses. Investigating the diverse and varying roles that violence continues to play as both the level of violence and the gendered depictions of violence have evolved, many of the contributors come to the conclusion that King’s films have grown more violent over time. This book also examines the fine line between necessary violence and sensationalist violence, discussing the complexity of determining what constitutes violence with a narrative and ethical significance versus violence intended solely to titillate, repulse, or otherwise draw an emotional reaction from viewers. Scholars of film studies, horror studies, literary studies, and gender studies will find this book particularly useful.
Trade ReviewOne of the finest collections of essays on Stephen King's films ever published. Highly readable, immensely informative, and wonderfully perceptive. The editors have assembled a stellar selection of articles from the finest King scholars. If you enjoy Stephen King, then I would strongly suggest you make room on your bookshelf for this volume. It is indispensable.
-- Gary Hoppenstand, Michigan State University
Violence in the Films of Stephen King is not just a timely study, but a necessary one. Poised at the intersection of aesthetics and ethics, the volume's chapters ask the hard questions of King adaptations: when is violence necessary? When is it simply gratuitous? Under what conditions (if any) is violence OK? And what pleasures do viewers derive from it? This significant volume will be essential reading not just for those interested in King, but also for those preoccupied with larger issues of violence and justice, and their representation on screen.
-- Jeffrey Andrew Weinstock, Central Michigan University
Table of ContentsIntroduction
Michael J. Blouin and Tony Magistrale
1. Stephen King’s Carrie: Victim No More?
Sarah E. Turner
2. An American Hyde: Stephen King’s A Good Marriage
Tony Magistrale
3. The Mad Lady: Racial and Sexual Violence in Mick Garris’s Bag of Bones
Phoenix Crockett and Stephen Indrisano
4. Cujo, the Black Man, and the Story of Patty Hearst
Sarah Nilsen
5. King of Pain: Exposing the Raw, “Unpleasant Truth” of Stephen King’s Use of Extreme Violence in Doctor Sleep
Mary Findley
6. Violence Persists: Muschietti’s IT Films and a Sadistic Status Quo
Michael J. Blouin
7. “Cut You Up into Little Pieces”: Ghosts & Violence in Kubrick’s The Shining
Danel Olson
8. Tempered Violence in Frank Darabont’s Adaptations of Stephen King: The Shawshank Redemption and The Green Mile
Maura Grady
9. Hiding in Plain Sight: Watching and the Unconscious in Stephen King’s Mr. Mercedes Trilogy on Page and Screen
Brian Kent
10. Political Allegory and the Plague of Violence in the Television Adaptation of The Outsider
Philip L. Simpson
11. The Invasive Gaze: Surveillance Camera Shots in Flanagan's Doctor Sleep and Price's The Outsider
Matthew Muller
12. “Murder is Damnation, But Murder is Also Work”: Violence, Patriarchy, and the Work Ethic in 1922
Jason Clemence
13. Lost in the Supermarket: When “The Mist” Fogs Our Mind . . . When Basic Emotions Transform into Monstrous Acts
Alexandra Reuber
14. Stephen King’s Big Driver: A Utopian Road to Justice
Patrick McAleer
About the Contributors
