Description
Book SynopsisAnalysing a broad range of texts by inventors, cultural critics, photographers, and novelists, this book argues that Victorian photography ultimately defined the concept of memory for generations to come including our own.
The book will be of interest to students of Victorian and modernist literature, visual culture and intellectual history, as well as scholars working within the emerging field of research at the intersection of photographic and literary studies.
Trade Review"Jennifer Green-Lewis’s monograph bravely embraces the fleeting nature of time in its analysis of Victorian photography and its impact on society today. - ARLIS/NA Reviews
Academics will appreciate the deep research of many of these articles. - Victorian Studies
This original and beautifully written book makes us rethink the role of photography in Victorian and Modernist English literature. It brilliantly shows us how photographs offered ways of structuring memory, shaping attitudes towards the past. Convincing and lucid, this is a major study of the relationship between writing and photography. - Kate Flint, University of Southern California, USA
Green-Lewis’s book is a model of interdisciplinarity, and exceptional for its graceful lucidity of writing. The effect of photography and its wider culture upon conceptions of the past and operations of memory is analyzed in relation to images, arguments about photography, and novels with great originality. Green-Lewis weaves together analysis of the Victorian past and reflections upon the contemporary present in powerful and insightful ways. This is essential reading for both scholars and students of photography and Victorian studies. - Ellen Handy, The City College of New York, USA
This is an erudite, compelling book that sheds new light on the entangled histories of photography and literature. Jennifer Green-Lewis examines the multi-faceted temporality of photography through the lens of literary and cultural forms of narrative desire: ranging from the pictorial stylistics of Dickens to literary modernism’s experimental materialisation of photography’s backward look, and from Victorian domestic space to contemporary transformations of the photographic image. - Helen Groth, University of New South Wales, Australia
Jennifer Green-Lewis’s monograph bravely embraces the fleeting nature of time in its analysis of Victorian photography and its impact on society today. - ARLIS/NA"
Table of ContentsList of FiguresAcknowledgmentsForeword: AfterlightIntroduction: 'Stars from an empty sky'Part One: The Photograph in Time1: Photography in the Age of Oblivion2: ‘Already the Past’: The Backward Glance of Victorian Photography3: Having Been: Photography and the Texture of TimePart Two: The Photograph as Time4: Literary Memory and Victorian Stylistics5: Modernism's Photographic Past6: At Home in the Nineteenth CenturyBibliographyIndex
