Description

Book Synopsis

Upon the 25th anniversary of his passing, this collection addresses the wide application of Victor Turner’s thought to cultural performance in the early 21st century. From anthropology, sociology, and religious studies to performance, cultural, and media studies, Turner’s ideas have had a prodigious interdisciplinary impact. Examining his relevance in studies of performance and popular culture, media, and religion, along with the role of Edith Turner in the Turnerian project, contributors explore how these ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.



Trade Review

This collection of writings dedicated to the Turners may sometimes contest the validity and morality of 'feelings and desires', but St John gives these elusive possibilities an enduring stage for becoming. Could the volume be conceived as an academic fissure inciting change? · Australasian Drama Studies

An impressive selection of analyses conducted through diverse disciplinary lenses (including media and communication, sociology, religion, and anthropology) explicates the need for a revival of Turner's multifaceted theory.” · The Canadian Review of Sociology

This volume is a wonderful exercise in rethinking Turner through the lens of our increasingly digitalized and mediatized world. . . . The introduction by St John alone is worth the price of the book. Dense with the jargon of scholarship, freshly minted phrases, theoretical labels, and esoteric framings, as it need be to describe the work of Turner, who made a prodigious impact across a spectrum of disciplines." · JRAI



Table of Contents

Victor Turner and Contemporary Cultural Performance: An Introduction
Graham St John

PART I: PERFORMING CULTURE: RITUAL, DRAMA AND MEDIA

Chapter 1. Toward a Unified Theory of Cultural Performance: A "Reconstructive Introduction" to Victor Turner
J. Lowell Lewis

Chapter 2. The Ritualization of Performance (Studies)
Ian Maxwell

Chapter 3. Performing "Sorry Business": Reconciliation and Redressive Action
Michael Cohen, Paul Dwyer and Laura Ginters

Chapter 4. Liminality in Media Studies: From Everyday Life to Media Events
Mihai Coman

Chapter 5. Social Drama in a Mediatized World: The Racist Murder of Stephen Lawrence
Simon Cottle

PART II POPULAR CULTURE AND RITES OF PASSAGE

Chapter 6. Modern Sports: Liminal Ritual or Liminoid Leisure?
Sharon Rowe

Chapter 7. Trance Tribes and Dance Vibes: Victor Turner and Electronic Dance Music Culture
Graham St John

Chapter 8. Backpacking as a Contemporary Rite of Passage: Victor Turner and Youth Travel Practices
Amie Matthews

Chapter 9. Walking to Hill End with Victor Turner: A Theatre-Making Immersion Event
Gerard Boland

PART III: CONTEMPORARY PILGRIMAGE AND COMMUNITAS

Chapter 10. Of Ordeals and Operas: Reflexive Ritualizing at the Burning Man Festival
Lee Gilmore

Chapter 11. "Shopping For A Self": Pilgrimage, Identity-Formation and Retail Therapy
Justine Digance and Carole Cusack

Chapter 12. Turner Meets Gandhi: Pilgrimage, Ritual and the Diffusion of Non-Violent Direct Action
Sean Scalmer

Chapter 13. Dramas, Fields, and ‘Appropriate Education’: The Ritual Process, Contestation, and Communitas for Parents of Special-Needs Children
Margi Nowak

PART IV: EDITH TURNER

Chapter 14. An Interview with Edith Turner
Matthew Engelke

Chapter 15. Woman/women in "the Discourse of Man": Edie Turner and Victor Turner’s Language of the Feminine
Barbara Babcock

Chapter 16. Faith and (Social) Science: Contrasting Victor and Edith Turner’s Analysis of Spiritual Realities
Douglas Ezzy

Chapter 17. Challenging the Boundaries of Experience, Performance, and Consciousness: Edith Turner’s Contributions to the Turnerian Project
Jill Dubisch

Notes on Contributors
Bibliography
Index

Victor Turner and Contemporary Cultural

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    A Hardback by Graham St John

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      Publisher: Berghahn Books
      Publication Date: 01/04/2008
      ISBN13: 9781845454623, 978-1845454623
      ISBN10: 1845454626

      Description

      Book Synopsis

      Upon the 25th anniversary of his passing, this collection addresses the wide application of Victor Turner’s thought to cultural performance in the early 21st century. From anthropology, sociology, and religious studies to performance, cultural, and media studies, Turner’s ideas have had a prodigious interdisciplinary impact. Examining his relevance in studies of performance and popular culture, media, and religion, along with the role of Edith Turner in the Turnerian project, contributors explore how these ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.



      Trade Review

      This collection of writings dedicated to the Turners may sometimes contest the validity and morality of 'feelings and desires', but St John gives these elusive possibilities an enduring stage for becoming. Could the volume be conceived as an academic fissure inciting change? · Australasian Drama Studies

      An impressive selection of analyses conducted through diverse disciplinary lenses (including media and communication, sociology, religion, and anthropology) explicates the need for a revival of Turner's multifaceted theory.” · The Canadian Review of Sociology

      This volume is a wonderful exercise in rethinking Turner through the lens of our increasingly digitalized and mediatized world. . . . The introduction by St John alone is worth the price of the book. Dense with the jargon of scholarship, freshly minted phrases, theoretical labels, and esoteric framings, as it need be to describe the work of Turner, who made a prodigious impact across a spectrum of disciplines." · JRAI



      Table of Contents

      Victor Turner and Contemporary Cultural Performance: An Introduction
      Graham St John

      PART I: PERFORMING CULTURE: RITUAL, DRAMA AND MEDIA

      Chapter 1. Toward a Unified Theory of Cultural Performance: A "Reconstructive Introduction" to Victor Turner
      J. Lowell Lewis

      Chapter 2. The Ritualization of Performance (Studies)
      Ian Maxwell

      Chapter 3. Performing "Sorry Business": Reconciliation and Redressive Action
      Michael Cohen, Paul Dwyer and Laura Ginters

      Chapter 4. Liminality in Media Studies: From Everyday Life to Media Events
      Mihai Coman

      Chapter 5. Social Drama in a Mediatized World: The Racist Murder of Stephen Lawrence
      Simon Cottle

      PART II POPULAR CULTURE AND RITES OF PASSAGE

      Chapter 6. Modern Sports: Liminal Ritual or Liminoid Leisure?
      Sharon Rowe

      Chapter 7. Trance Tribes and Dance Vibes: Victor Turner and Electronic Dance Music Culture
      Graham St John

      Chapter 8. Backpacking as a Contemporary Rite of Passage: Victor Turner and Youth Travel Practices
      Amie Matthews

      Chapter 9. Walking to Hill End with Victor Turner: A Theatre-Making Immersion Event
      Gerard Boland

      PART III: CONTEMPORARY PILGRIMAGE AND COMMUNITAS

      Chapter 10. Of Ordeals and Operas: Reflexive Ritualizing at the Burning Man Festival
      Lee Gilmore

      Chapter 11. "Shopping For A Self": Pilgrimage, Identity-Formation and Retail Therapy
      Justine Digance and Carole Cusack

      Chapter 12. Turner Meets Gandhi: Pilgrimage, Ritual and the Diffusion of Non-Violent Direct Action
      Sean Scalmer

      Chapter 13. Dramas, Fields, and ‘Appropriate Education’: The Ritual Process, Contestation, and Communitas for Parents of Special-Needs Children
      Margi Nowak

      PART IV: EDITH TURNER

      Chapter 14. An Interview with Edith Turner
      Matthew Engelke

      Chapter 15. Woman/women in "the Discourse of Man": Edie Turner and Victor Turner’s Language of the Feminine
      Barbara Babcock

      Chapter 16. Faith and (Social) Science: Contrasting Victor and Edith Turner’s Analysis of Spiritual Realities
      Douglas Ezzy

      Chapter 17. Challenging the Boundaries of Experience, Performance, and Consciousness: Edith Turner’s Contributions to the Turnerian Project
      Jill Dubisch

      Notes on Contributors
      Bibliography
      Index

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