Description
Book SynopsisDeals with the attitudes and assumptions about vernacular poetry from the eleventh to the fifteenth century. Collection of essays ranging from broad surveys of the changing conceptions of poetry to close studies of the emerging literary languages in France, Germany, Italy, England, and Scotland and the significant contributions of individual poets.
Table of ContentsContents Introduction by Lois Ebin Poetic Emblems in Medieval Narrative Texts by Robert W. Hanning Obscurity and Memory: Sources for Invention in Medieval French Literature by Douglas Kelly Walther versus Reinmar: The Regeneration of Poetic Language in Medieval German Literature by Frederick Goldin
Farai un vers de dreyt nien: The Craft of the Early Trobadors by Joan M. Ferrante The Differing Seed: Dante's Brunetto Latini by Eugene Vance Per te poeta fui, per te cristiano: Dante, Statius, and the Narrator of Chaucer's
Troilus by Winthrop Wetherbee Self-Consciousness of Poetic Activity in Dante and Langland by George D. Economou Grammar, Poetic Form, and the Lyric Ego: A Medieval
A Priori by Judson Boyce Allen Toward a Poetics of the Late Medieval Court Lyric by Glending Olson Late Medieval Images and Self-Images of the Poet: Chaucer, Gower, Lydgate, Henryson, Dunbar by Robert O. Payne Poetics and Style in Late Medieval Literature by Lois Ebin
