Description
Book SynopsisTable of ContentsPermissions and Credits
Acknowledgments
Ralph Vaughan Williams: Man and Music—An Introduction
Byron Adams and Daniel M. Grimley Vaughan Williams and Cambridge
Julian Rushton Vaughan Williams and the Royal College of Music
Erica Siegel Vaughan Williams’s “The Letter and the Spirit” (1920)
Introduced and Annotated by Ceri Owen Modernist Image in Vaughan Williams’s
JobPhilip Rupprecht “Finest of the Fine Arts”: Vaughan Williams and Film
Annika Forkert Pilgrim in a New-Found-Land: Vaughan Williams in America
Byron Adams Vaughan Williams’s Lecture on the
St. Matthew Passion (1938)
Introduced and Annotated by Eric Saylor Vaughan Williams’s Common Ground
Sarah Collins and Daniel M. Grimley Tracing a Biography: Michael Kennedy’s Correspondence Concerning
The Works of Ralph Vaughan WilliamsIntroduced and Annotated by Daniel M. Grimley and Byron Adams “His own idiom”: Vaughan Williams’s Violin Sonata and the Development of His Melodic Style
O. W. Neighbour Critical Reception: Early Performances of the Symphony No. 9 in E Minor
Introduced and Annotated by Alain Frogley Goodness and Beauty: Philosophy, History, and Ralph Vaughan Williams
Leon Botstein Index
Notes on the Contributors
