Description

Book Synopsis
Utopia and Dystopia in the Age of Trump treats literature, film, television series and comic books dealing with utopian and dystopian worlds reflecting on or anticipating our current age. From Henry James’ dreamlike utopia of “The Great Good Place” to the psychotic world of Brett Easton Ellis’ American Psycho, from science fiction and recent horror films, television adaptations of books such as Margaret Atwood’s The Handmaid’s Tale and new series such as The Black Mirror, to the repressive Hitleria dystopia of Katherine Burdekin’s Swastika Knight, the authors examine the development of scenaarios which either prefigure the rise of individuals such as Donald J. Trump or suggest alternatives to it. Ultimately, one might say of the worlds presented here, viewed from different social and political perspectives: one person’s utopia is another one’s dystopia. This is the fifth in a series of books edited by Brodman and Doan, and published by Rowman & Littlefied with Fairleigh Dckinson University Press. The Universal Vampire: Origins and Evolution of a Legend and Images of the Modern Vampire: The Hip and the Atavistic (both in 2013) focused on the vampire legend in tradiitonal and modern thought. The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016) examined a range of supernatural beings in literature, film, and other forms of popular culture. Apocalyptic Chic: Visions of the Apocalypse and Post-Apocalypse in Literature and Visual Arts (2017) dealt with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times and from peoples and cultures around the world.

Table of Contents
Introduction Barbara Brodman and James E Doan Chapter One — Getting Off: Henry James and Writing Utopia Dan M. R. Abitz Chapter Two — Poison in the Ear: Lessons of Literary Alt-Narratives for the Trump Era Christine Jackson Chapter Three — The Search for Sustainability Transitions in Science Fiction Futures Jeffrey Barber Chapter Four — Resurrecting and Adapting A Wrinkle in Time in the Age of Trump Emily A. O’Dell Chapter Five — The Medium is the Massacre: Deceit, Desire, and Patrick Bateman’s Trumpian Dystopia Daniel Adleman Chapter Six — “Horror Movies are Already Telling the Story” …of Trump’s America Todd K. Platts and Kibiriti Majuto Chapter Seven — Beautiful and Damned: Tech Noir, Neoplatonism, and Existential Crises in Bladerunner 2049 Sue Matheson Chapter Eight — Feminism-Reboot in Mad Max, Fury Road and Hulu’s The Handmaid’s Tale Kate Waites Chapter Nine — Architectures of Ustopia: CDMX as Setting and Character in Mischa Rozema’s Short Film Sundays Raúl Rodríguez-Hernández and Claudia Schaefer Chapter Ten — X-Men Saga and the Dystopian “Otherness”: Race, Identity, Repression and Inclusiveness in the Mutant World Elisabetta Di Minico Chapter Eleven — Hang the DJ: Black Mirror in the Age of Trump Matthew Paproth Chapter Twelve — Through the Eyes of the Wardens: Judge Dredd under the Shadow of Trump Tom Shapira Chapter Thirteen — Grab ’em by the Seeds: The Regressive Utopianism of Trumpism in Katherine Burdekin’s Swastika Knight Ryan Farrar Chapter Fourteen — Diverse New World David L. McNaron Selected Bibliography Index About the Contributors

Utopia and Dystopia in the Age of Trump: Images

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    A Hardback by Barbara Brodman, James E. Doan, Dan M. R. Abitz

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      Publisher: Fairleigh Dickinson University Press
      Publication Date: 04/06/2019
      ISBN13: 9781683931676, 978-1683931676
      ISBN10: 168393167X

      Description

      Book Synopsis
      Utopia and Dystopia in the Age of Trump treats literature, film, television series and comic books dealing with utopian and dystopian worlds reflecting on or anticipating our current age. From Henry James’ dreamlike utopia of “The Great Good Place” to the psychotic world of Brett Easton Ellis’ American Psycho, from science fiction and recent horror films, television adaptations of books such as Margaret Atwood’s The Handmaid’s Tale and new series such as The Black Mirror, to the repressive Hitleria dystopia of Katherine Burdekin’s Swastika Knight, the authors examine the development of scenaarios which either prefigure the rise of individuals such as Donald J. Trump or suggest alternatives to it. Ultimately, one might say of the worlds presented here, viewed from different social and political perspectives: one person’s utopia is another one’s dystopia. This is the fifth in a series of books edited by Brodman and Doan, and published by Rowman & Littlefied with Fairleigh Dckinson University Press. The Universal Vampire: Origins and Evolution of a Legend and Images of the Modern Vampire: The Hip and the Atavistic (both in 2013) focused on the vampire legend in tradiitonal and modern thought. The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016) examined a range of supernatural beings in literature, film, and other forms of popular culture. Apocalyptic Chic: Visions of the Apocalypse and Post-Apocalypse in Literature and Visual Arts (2017) dealt with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times and from peoples and cultures around the world.

      Table of Contents
      Introduction Barbara Brodman and James E Doan Chapter One — Getting Off: Henry James and Writing Utopia Dan M. R. Abitz Chapter Two — Poison in the Ear: Lessons of Literary Alt-Narratives for the Trump Era Christine Jackson Chapter Three — The Search for Sustainability Transitions in Science Fiction Futures Jeffrey Barber Chapter Four — Resurrecting and Adapting A Wrinkle in Time in the Age of Trump Emily A. O’Dell Chapter Five — The Medium is the Massacre: Deceit, Desire, and Patrick Bateman’s Trumpian Dystopia Daniel Adleman Chapter Six — “Horror Movies are Already Telling the Story” …of Trump’s America Todd K. Platts and Kibiriti Majuto Chapter Seven — Beautiful and Damned: Tech Noir, Neoplatonism, and Existential Crises in Bladerunner 2049 Sue Matheson Chapter Eight — Feminism-Reboot in Mad Max, Fury Road and Hulu’s The Handmaid’s Tale Kate Waites Chapter Nine — Architectures of Ustopia: CDMX as Setting and Character in Mischa Rozema’s Short Film Sundays Raúl Rodríguez-Hernández and Claudia Schaefer Chapter Ten — X-Men Saga and the Dystopian “Otherness”: Race, Identity, Repression and Inclusiveness in the Mutant World Elisabetta Di Minico Chapter Eleven — Hang the DJ: Black Mirror in the Age of Trump Matthew Paproth Chapter Twelve — Through the Eyes of the Wardens: Judge Dredd under the Shadow of Trump Tom Shapira Chapter Thirteen — Grab ’em by the Seeds: The Regressive Utopianism of Trumpism in Katherine Burdekin’s Swastika Knight Ryan Farrar Chapter Fourteen — Diverse New World David L. McNaron Selected Bibliography Index About the Contributors

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