Description

Book Synopsis

Explores the role of the classical past in the construction of urban identity in late medieval Italy. Focuses on the appropriation of classical symbols, ancient materials, and Roman myths to legitimate the regimes of various Italian city-states.



Trade Review

“Carrie Beneš has emerged, through a series of important articles, as a leader—in fact, a pioneer—in a new and fruitful field of scholarly endeavor: the medieval history of classical, which is to say Greco-Roman, symbols, myths, and objects. While the manifold uses of the ancient world have long been recognized and seen as characteristic of the Italian Renaissance, Beneš shows that high and late medieval Italian city-states made use of the ancient world in interesting and often surprising ways. She blends the acumen of a specialist in documentary culture with the scholarly imagination characteristic of the best cultural historians. This book—as thorough, information packed, and clearly written as it is—will help redraw the picture of the history of medieval Italy, and it will serve as a model for engagement and debate regarding a period and a region often overlooked.”

—Christopher S. Celenza,American Academy in Rome


“Well before the Renaissance’s ‘discovery’ of the classical past, Carrie Beneš finds, medieval Italians at all social levels made extensive use of that past to forge their own corporate identities. This book illuminates an important aspect of Italian city-state history and describes how people in turbulent times sought a usable past in order to define and strengthen them. Beneš makes deft use of a wide range of source materials and methodologies—architectural, literary, archival, and anthropological. Urban Legends offers a fascinating glimpse into the formation of memory in the late medieval world.”

—Thomas F. Madden,Saint Louis University


“Following a useful introduction establishing the four cities’ classical connections, Beneš presents four chapters in a parallel fashion with background to and specific examples of chronicles or monuments.”

—J. P. Byrne Choice


“Beneš’ study allows us intimate access to the heart of the North Italian city-state, to the aspirations, fears, and passions, not only of the elites but of the wider urban community. . . . [This is] a magnificent piece of scholarship and a highly valuable contribution to a subject full of modern-day resonance.”

—P. Oldfield English Historical Review



Table of Contents

Contents

List of Illustrations

Acknowledgments

Note on the Text

Introduction

1. Appropriating a Roman Past

2. Padua: Rehousing the Relics of Antenor

3. Genoa: Many Januses for Civic Unity

4. Siena: Romulus and Remus Revisited

5 Perugia: Adopting a New Aeneas

6. Classical Scholarship and Public Service

Conclusion

Biographical Appendix

Notes

Bibliography

Index

Urban Legends Civic Identity and the Classical

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    A Hardback by Carrie E. Beneš

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      View other formats and editions of Urban Legends Civic Identity and the Classical by Carrie E. Beneš

      Publisher: Pennsylvania State University Press
      Publication Date: Publication Date: 21/03/2011
      ISBN13: 9780271037653, 978-0271037653
      ISBN10: 0271037652

      Description

      Book Synopsis

      Explores the role of the classical past in the construction of urban identity in late medieval Italy. Focuses on the appropriation of classical symbols, ancient materials, and Roman myths to legitimate the regimes of various Italian city-states.



      Trade Review

      “Carrie Beneš has emerged, through a series of important articles, as a leader—in fact, a pioneer—in a new and fruitful field of scholarly endeavor: the medieval history of classical, which is to say Greco-Roman, symbols, myths, and objects. While the manifold uses of the ancient world have long been recognized and seen as characteristic of the Italian Renaissance, Beneš shows that high and late medieval Italian city-states made use of the ancient world in interesting and often surprising ways. She blends the acumen of a specialist in documentary culture with the scholarly imagination characteristic of the best cultural historians. This book—as thorough, information packed, and clearly written as it is—will help redraw the picture of the history of medieval Italy, and it will serve as a model for engagement and debate regarding a period and a region often overlooked.”

      —Christopher S. Celenza,American Academy in Rome


      “Well before the Renaissance’s ‘discovery’ of the classical past, Carrie Beneš finds, medieval Italians at all social levels made extensive use of that past to forge their own corporate identities. This book illuminates an important aspect of Italian city-state history and describes how people in turbulent times sought a usable past in order to define and strengthen them. Beneš makes deft use of a wide range of source materials and methodologies—architectural, literary, archival, and anthropological. Urban Legends offers a fascinating glimpse into the formation of memory in the late medieval world.”

      —Thomas F. Madden,Saint Louis University


      “Following a useful introduction establishing the four cities’ classical connections, Beneš presents four chapters in a parallel fashion with background to and specific examples of chronicles or monuments.”

      —J. P. Byrne Choice


      “Beneš’ study allows us intimate access to the heart of the North Italian city-state, to the aspirations, fears, and passions, not only of the elites but of the wider urban community. . . . [This is] a magnificent piece of scholarship and a highly valuable contribution to a subject full of modern-day resonance.”

      —P. Oldfield English Historical Review



      Table of Contents

      Contents

      List of Illustrations

      Acknowledgments

      Note on the Text

      Introduction

      1. Appropriating a Roman Past

      2. Padua: Rehousing the Relics of Antenor

      3. Genoa: Many Januses for Civic Unity

      4. Siena: Romulus and Remus Revisited

      5 Perugia: Adopting a New Aeneas

      6. Classical Scholarship and Public Service

      Conclusion

      Biographical Appendix

      Notes

      Bibliography

      Index

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