Description

From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In this text Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media - Igor Stravinsky's "The Rite of Spring" is a ballet, Gertrude Stein's "Four Saints in Three Acts" is an opera, and Pablo Picasso turned his cubist paintings into costumes for "Parade." Focusing on collaborations with a musical component, Albright views these works as either figures of dissonance that try to retain the distinctness of their various media (e.g. Guillaume Apollinaire's "Les Mamelles de Tiresias") or figures of consonance that try to lose themselves in some total effect (such as Arnold Schoenberg's "Erwartung"). In so doing he offers a fresh picture of Modernism, and provides a model for the analysis of all artistic collaborations.

Untwisting the Serpent: Modernism in Music, Literature, and Other Arts

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Paperback / softback by Daniel Albright

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From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more... Read more

    Publisher: The University of Chicago Press
    Publication Date: 01/05/1999
    ISBN13: 9780226012544, 978-0226012544
    ISBN10: 0226012549

    Number of Pages: 410

    Non Fiction , Art & Photography

    Description

    From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In this text Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media - Igor Stravinsky's "The Rite of Spring" is a ballet, Gertrude Stein's "Four Saints in Three Acts" is an opera, and Pablo Picasso turned his cubist paintings into costumes for "Parade." Focusing on collaborations with a musical component, Albright views these works as either figures of dissonance that try to retain the distinctness of their various media (e.g. Guillaume Apollinaire's "Les Mamelles de Tiresias") or figures of consonance that try to lose themselves in some total effect (such as Arnold Schoenberg's "Erwartung"). In so doing he offers a fresh picture of Modernism, and provides a model for the analysis of all artistic collaborations.

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