Description
Book SynopsisJenna Ng is Anniversary Research Lecturer in Film and Interactive Media at the University of York, UK. She was previously a Newton Trust/Leverhulme Early Career Fellow at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), University of Cambridge, UK.
Trade ReviewThis welcome anthology helps usher machinima out of the gamer niche and into the nexus of digital animation, cinema, and art video. As the chapters of this book demonstrate, machinima realizes new ways of documenting and archiving the mediality of our set-up, far beyond the early ambitions of entertainment convergence. * Peter Krapp, Professor & Chair, Film & Media Studies, University of California, Irvine, US *
Understanding Machinima is a timely and much needed intervention in Machinima studies. Comprising an excellent range of contributors, this collection focuses on Machinima's diversity of use at the same time as it considers its many media specificities, making it a necessary resource to any scholar working in the field. * Leon Gurevitch, Senior Lecturer, The School of Design, Victoria University of Wellington, New Zealand *
Understanding Machinima: Essays on Filmmaking in Virtual Worlds, is personable yet edgy, conversational yet controversial. The chapters draw on personal reflection,
Spinal Tap, mixed reality,
Sesame Street, Bakhtin’s dialogic theory, Chaucer, Iraq, First Nations, and psychoanalysis, yet they are clear and lucid. I found much to engage with, and even more to debate with. The field of machinima scholarship is small but engaging, and
Understanding Machinima is a worthy contribution. * Erik Champion, Digital Humanities Lab Denmark, Aarhus University, Denmark *
As machinima has evolved an intersected with many different media, the study of machinima has become increasingly interdisciplinary. With this study, Ng (Univ. of York, UK) erases many of the boundaries that existed around the study of this art form to explore machinima as ‘less a discrete, distinguishable media form than a fluid dialogue of and between media.’ The second major theme of the collection is ‘the diversity of this machinima world and how it sands against all other ralities – physical animated, virtual, blended, hybrid, augmented.’ The collection gives equal attention to the theoretical and the practical, offering readers a divers selection of perspectives on machinima and related media. Some chapters take a fairly standard approach and examine machinima as digital puppetry and machinima in a First Nations context. This title would make an excellent complement to introductory texts on machinima because it offers a timely exploration of many aspects of machinima that will not be found in most other works on the subject.
Summing Up: Highly recommended. Upper-division undergraduates through faculty. -- B. H. McMillin, Pratt Institute * CHOICE *
Table of ContentsAcknowledgements Preface
Henry Lowood Introduction
Jenna Ng I. Thinking Machinima 1. Machinima: Cinema in a minor or multitudinous key?
William Brown and
Matthew Holtmeier 2. Beyond Bullet Time: Media in the knowable space
Chris Burke 3. Be(ing)Dazzled: Living in machinima
Sheldon Brown 4. Moving Digital Puppets
Michael Nitsche,
Ali Mazalek and
Paul Clifton 5. Facing the Audience: A dialogic perspective on the hybrid animated film
Lisbeth Frølunde 6. Dangerous Sim Crossings: Framing the Second Life art machinima
Sarah Higley II. Using Machinima 7. The Art of Games: Machinima and the limits of art games
Larissa Hjorth 8. Playing Politics: Machinima as live performance and document
Joseph DeLappe 9. Virtual Lens of Exposure: Aesthetics, theory, and ethics of documentary filmmaking in Second Life
Sandra Danilovic 10. Call It a Vision Quest: Machinima in a First Nations context
Beth Aileen Dillon and
Jason Edward Lewis 11. World of Chaucer: Adaptation, pedagogy, and interdisciplinarity
Chris Moore and
Graham Barwell 12. A Pedagogy of Craft: Teaching Culture Analysis with machinima
Jenna Ng and
James Barrett Agency, Simulation, Gamification, Machinima: An interview with Isabelle Arvers
Isabelle Arvers and
Jenna Ng Notes on Contributors Glossary Index
