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Book Synopsis
How Iranians forged a vibrant, informal video distribution infrastructure when their government banned all home video technology in 1983.

In 1983, the Iranian government banned the personal use of home video technology. In Underground, Blake Atwood recounts how in response to the ban, technology enthusiasts, cinephiles, entrepreneurs, and everyday citizens forged an illegal but complex underground system for video distribution. Atwood draws on archival sources including trade publications, newspapers, memoirs, films, and laws, but at the heart of the book lies a corpus of oral history interviews conducted with participants in the underground. He argues that videocassettes helped to institutionalize the broader underground within the Islamic Republic.

As Atwood shows, the videocassette underground reveals a great deal about how people construct vibrant cultures beneath repressive institutions. It was not just that Iranians gained access to banned movies, but rather

Underground The Secret Life of Videocassettes in

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    A Paperback / softback by Blake Atwood

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      Publisher: MIT Press Ltd
      Publication Date: 28/09/2021
      ISBN13: 9780262542845, 978-0262542845
      ISBN10: 0262542846
      Also in:
      Middle Eastern history

      Description

      Book Synopsis
      How Iranians forged a vibrant, informal video distribution infrastructure when their government banned all home video technology in 1983.

      In 1983, the Iranian government banned the personal use of home video technology. In Underground, Blake Atwood recounts how in response to the ban, technology enthusiasts, cinephiles, entrepreneurs, and everyday citizens forged an illegal but complex underground system for video distribution. Atwood draws on archival sources including trade publications, newspapers, memoirs, films, and laws, but at the heart of the book lies a corpus of oral history interviews conducted with participants in the underground. He argues that videocassettes helped to institutionalize the broader underground within the Islamic Republic.

      As Atwood shows, the videocassette underground reveals a great deal about how people construct vibrant cultures beneath repressive institutions. It was not just that Iranians gained access to banned movies, but rather

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