Description

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Trade Review
Brilliant and elegant insight into the exact relation of contemporary literary practices and broader cultural changes, explaining how the technologies of distributed digital media exemplified by the World Wide Web have made possible the flourishing of a particular type of literature. -- Professor Craig Dworkin, author of The Consequence of Innovation: Twenty-First-Century Poetics What Goldsmith argues has significant implications for the world of poetry, poetics, and pedagogy. His book contains brilliant moments of exegesis and archival documentation, and its keen attention to, knowledge about, and currency in artistic practice makes it as much a user's manual as a scholar's tome. -- Adalaide Morris, The University of Iowa In these witty, intelligent essays, Goldsmith brings his encyclopedic knowledge of radical artistic practice to bear on how the rise of the internet has irrevocably changed, or should irrevocably change, our existing conceptions of poetry. Goldsmith's practice as artist and critic is deeply interesting. His book is sure to generate lively debate among poets, artists, literary historians, and media theorists. -- Sianne Ngai, University of California, Los Angeles Multimedia artist and executive manager of words, Goldsmith writes a provocative manifesto for writing in the digital era, with a treasure trove of ideas, techniques, and examples that allow us to make it new-again! -- Marcus Boon, author of In Praise of Copying "...a fascinating collection of essays..." Phi Beta Kappa Goldsmith achieves a very difficult feat with this book: he writes lucidly about complex and avant-garde ideas. As a result, he opens up a vital debate for anyone who cares about literature, between notions of traditional creative writing and the set of practices he labels "uncreative writing". -- Douglas Cowie Times Higher Education Selected writers and their practices are reviewed in a series of accessible essays perfect for college-level writers. Midwest Book Review Good. -- James Franco, actor An invigoratingly different style of writing guide, that reveals how jump-starts to one's imagination can be achieved through what seems (at first glance) to be the unlikeliest of means. Library Bookwatch

Uncreative Writing

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    A Paperback / softback by Kenneth Goldsmith


      View other formats and editions of Uncreative Writing by Kenneth Goldsmith

      Publisher: Columbia University Press
      Publication Date: 20/09/2011
      ISBN13: 9780231149914, 978-0231149914
      ISBN10: 0231149913

      Description

      Book Synopsis


      Trade Review
      Brilliant and elegant insight into the exact relation of contemporary literary practices and broader cultural changes, explaining how the technologies of distributed digital media exemplified by the World Wide Web have made possible the flourishing of a particular type of literature. -- Professor Craig Dworkin, author of The Consequence of Innovation: Twenty-First-Century Poetics What Goldsmith argues has significant implications for the world of poetry, poetics, and pedagogy. His book contains brilliant moments of exegesis and archival documentation, and its keen attention to, knowledge about, and currency in artistic practice makes it as much a user's manual as a scholar's tome. -- Adalaide Morris, The University of Iowa In these witty, intelligent essays, Goldsmith brings his encyclopedic knowledge of radical artistic practice to bear on how the rise of the internet has irrevocably changed, or should irrevocably change, our existing conceptions of poetry. Goldsmith's practice as artist and critic is deeply interesting. His book is sure to generate lively debate among poets, artists, literary historians, and media theorists. -- Sianne Ngai, University of California, Los Angeles Multimedia artist and executive manager of words, Goldsmith writes a provocative manifesto for writing in the digital era, with a treasure trove of ideas, techniques, and examples that allow us to make it new-again! -- Marcus Boon, author of In Praise of Copying "...a fascinating collection of essays..." Phi Beta Kappa Goldsmith achieves a very difficult feat with this book: he writes lucidly about complex and avant-garde ideas. As a result, he opens up a vital debate for anyone who cares about literature, between notions of traditional creative writing and the set of practices he labels "uncreative writing". -- Douglas Cowie Times Higher Education Selected writers and their practices are reviewed in a series of accessible essays perfect for college-level writers. Midwest Book Review Good. -- James Franco, actor An invigoratingly different style of writing guide, that reveals how jump-starts to one's imagination can be achieved through what seems (at first glance) to be the unlikeliest of means. Library Bookwatch

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