Description

Book Synopsis
Evil stalks the township of KwaMashu, near Durban. It comes in the form of Whoonga, a toxic mix of B-grade heroin, rat poison and other chemical components that almost immediately sucks its users into the vortex of addiction and the crime, deception and personal tragedy that goes with it. Caught up in the web, the ulwembu of the title, presided over by the dealer, Bongani Mseleku, are Lieutenant Portia Mthembu, a police officer in the frontline of the fight against the scourge; her son Sipho; his friend, Andile Nxumalo, and Emmanuel Abreu, a Mozambique-born spaza shopkeeper. As it traces Sipho’s descent from talented scholar and aspirant poet and songwriter to suicidal addict, Ulwembu explores the effects of addiction not only on those who suffer from it but on communities, families and the police, both those who try to control the murderous trade and those who benefit from it. Using a process they have dubbed Empatheatre, The Big Brotherhood, Neil Coppen, Dylan McGarry and Mpume Mtombeni, aim to share ‘people’s real-life stories, with the intention to inspire and develop a greater empathy and kindness in spaces where there is conflict or injustice’. Ulwembu is the dramatic result of their efforts.

Trade Review
Directed with a muscularity and sense of conviction, this beautifully researched and deeply felt performance takes advocacy theatre which talks to the man on the street to a level that is considerably deeper and theatrically more developed than convention dictates. Normally, you might hear the words `community theatre’ or `advocacy drama’ and shrink away from the product’s aesthetic value, understanding it to be a mere one-dimensional extrapolation of bald ideologies. But the adjective `mere’ doesn’t fit in any understanding of this poignant and hard hitting play. — Robyn Sassen, My View. Ulwembu powerfully reveals the root causes of substance abuse. — South African Police Service

Table of Contents
  • Introduction - Dylan McGarry
  • Foreword - Monique Marks
  • Acknowledgements
  • Glossary
  • Ulwembu: the script

    Ulwembu

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      £15.00

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      Order before 4pm today for delivery by Thu 6 Aug 2026.

      A Paperback / softback by Empatheatre, The Big Brotherhood

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        Publisher: Wits University Press
        Publication Date: Publication Date: 01/06/2018
        ISBN13: 9781776141951, 978-1776141951
        ISBN10: 1776141954

        Description

        Book Synopsis
        Evil stalks the township of KwaMashu, near Durban. It comes in the form of Whoonga, a toxic mix of B-grade heroin, rat poison and other chemical components that almost immediately sucks its users into the vortex of addiction and the crime, deception and personal tragedy that goes with it. Caught up in the web, the ulwembu of the title, presided over by the dealer, Bongani Mseleku, are Lieutenant Portia Mthembu, a police officer in the frontline of the fight against the scourge; her son Sipho; his friend, Andile Nxumalo, and Emmanuel Abreu, a Mozambique-born spaza shopkeeper. As it traces Sipho’s descent from talented scholar and aspirant poet and songwriter to suicidal addict, Ulwembu explores the effects of addiction not only on those who suffer from it but on communities, families and the police, both those who try to control the murderous trade and those who benefit from it. Using a process they have dubbed Empatheatre, The Big Brotherhood, Neil Coppen, Dylan McGarry and Mpume Mtombeni, aim to share ‘people’s real-life stories, with the intention to inspire and develop a greater empathy and kindness in spaces where there is conflict or injustice’. Ulwembu is the dramatic result of their efforts.

        Trade Review
        Directed with a muscularity and sense of conviction, this beautifully researched and deeply felt performance takes advocacy theatre which talks to the man on the street to a level that is considerably deeper and theatrically more developed than convention dictates. Normally, you might hear the words `community theatre’ or `advocacy drama’ and shrink away from the product’s aesthetic value, understanding it to be a mere one-dimensional extrapolation of bald ideologies. But the adjective `mere’ doesn’t fit in any understanding of this poignant and hard hitting play. — Robyn Sassen, My View. Ulwembu powerfully reveals the root causes of substance abuse. — South African Police Service

        Table of Contents
        • Introduction - Dylan McGarry
        • Foreword - Monique Marks
        • Acknowledgements
        • Glossary
        • Ulwembu: the script

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