Description
Book SynopsisThis is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel.
This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and allegory. Essays explore how the novel interacts with literary predecessors and contemporaries including John Bunyan, Oscar Wilde, Havelock Ellis and Edward Carpenter, and how it was shaped by personal relationships such as Forster’s friendship with Florence Barger. They close-read the textual variants of Forster’s manuscripts and examine the novel’s genesis and revisions. They consider the volatility of its reception, analysing how it galvanizes subsequent generations of writers and artists including Christopher Isherwood, Alan Hollinghurst, Damon Galgut, James Ivory and twenty-first-century online fanfiction writers. What emerges from the volume is the complexity of the novel, as a text and as a cultural phenomenon.
Trade ReviewReviews'
Twenty-First-Century Readings of E.M. Forster's Maurice is a smart and wide-ranging collection of essays on a critically neglected novel whose time is very much now. Exploring the novel’s queer politics, historical contexts, and aesthetic afterlives, the contributors elevate it in the Forster canon and establish its vital relevance to contemporary LGBT life.'
Benjamin Bateman, University of Edinburgh
'I would absolutely recommend the book.
Twenty-First-Century Readings not only encapsulates and expands the present state of research concerning
Maurice but above all, it invites and creates space for further
Maurice related discussions... A real treat for the fans of
Maurice and its author.'
Anna Kwiatkowska,
Polish Journal of English Studies'The scholarly ambition and intellectual range of the essays collected in Emma Sutton and Tsung-Han Tsai’s new volume suggest that scholarly work on E.M. Forster retains a pleasing energy and vibrancy in the author’s anniversary year... a deeply satisfying collection... It will undoubtedly send readers to the greenwood afresh, copies of
Maurice in hand.'
Fraser Riddell,
Language and Literary Studies of WarsawTable of ContentsIntroduction: Maurice Through Time
Emma Sutton and Tsung-Han TsaiPart I. Forebears and Friends1. ‘An unspeakable of the Oscar Wilde sort’: E. M. Forster,
Maurice, and the Legacy of Aestheticism
Joseph Bristow2. Women In and Out: Forster, Social Purity, and Florence Barger
Gemma Moss3. The Master and the Pupil: E. M. Forster, Christopher Isherwood, and the Forging of a Queer Aesthetic
Charlotte CharterisPart II. Contemporary Contexts4. ‘Flat pieces of cardboard stamped with a conventional design’: Women and Narrative Exclusion in E. M. Forster’s
Maurice Anna Watson5.
Maurice: Beyond Body and Soul
Finn Fordham6.
Maurice and Religion
Krzysztof Fordoński
Part III. Afterlives7. ‘A man embedded in society’: Homosexuality and the ‘Social Fabric’ in
Maurice and Hollinghurst’s
The Swimming-Pool LibraryDavid Medalie8. Sexuality, Allegory, and Interpretation: E. M. Forster’s
Maurice and Damon Galgut’s
Arctic SummerHoward J. Booth9.
Maurice without Ending, from Forster’s Palimpsest to Fan-Text
Claire Monk
