Description

Book Synopsis
Featuring contributions from some of the major critics of contemporary poetry, Twentieth-Century British and Irish Poetry offers an accessible, imaginative, and highly stimulating body of critical work on the evolution of British and Irish poetry in the twentieth-century.

Trade Review

“The editors have admirably carried out their self-imposed tasks ... The somewhat complicated arrangement is amply justified if one considers the work as a classroom tool, aimed primarily at giving a student audience food for thought, Helen Goethals.” (Cercles, 2012)



Table of Contents

Acknowledgements viii

Introduction 1

1 Modern Poetry: Transition and Trauma 11
Thomas Hardy, Edward Thomas and Wilfred Owen

Thomas Hardy 11
Extract from British Poetry in the Age of Modernism 17
Peter Howarth

Edward Thomas 30
Extract from The Poetry of Edward Thomas 33
Andrew Motion

Wilfred Owen 37
Extract from Poetry of Mourning 41
Jahan Ramazani

2 Forms of Modernism: Things Fall Apart 57
W. B. Yeats, T. S. Eliot and D. H. Lawrence

W. B. Yeats 57
Extract from Our Secret Discipline 63
Helen Vendler

T. S. Eliot 71
Extract from He Do the Police in Different Voices 77
Calvin Bedient

D. H. Lawrence 83
Extract from ‘Hibiscus and Salvia Flowers’ 87
Tom Paulin

3 Poetry of the Thirties: Between Two Fires 94
W. H. Auden, Louis MacNeice and Stephen Spender

W. H. Auden 94
Extract from ‘The 1930s Poetry of W. H. Auden’ 98
Michael O’Neill

Louis MacNeice 108
Extract from Louis MacNeice 112
Peter McDonald

Stephen Spender 120
Extracts from The Ironic Harvest 123
Geoffrey Thurley

4 Poetry of the Forties: Realism and Rhetoric 129
Keith Douglas and Dylan Thomas

Keith Douglas 130
Extract from ‘I in Another Place’ 133
Geoffrey Hill

Dylan Thomas 141
Extract from The Romantic Survival 144
John Bayley

5 Post-War Poetry: Featureless Morning, Featureless Night 149
Philip Larkin and the Movement

Philip Larkin 149
Extract from Out of Reach 154
Andrew Swarbrick

The Movement 162
Extract from The Movement 166
Blake Morrison

6 Beyond the Movement: No Bloodless Myth 178
Ted Hughes, Sylvia Plath and Geoffrey Hill

Ted Hughes 179
Extract from ‘Ted Hughes: The Double Voice’ 182
Margaret Dickie

Sylvia Plath 187
Extract from Sylvia Plath and the Theatre of Mourning 191
Christina Britzolakis

Geoffrey Hill 200
Extract from ‘History to the Defeated’ 203
Alan Robinson

7 Situated Sequences and Marginal Voices 214
Basil Bunting, Hugh MacDiarmid, Thomas Kinsella, Stevie Smith and Tony Harrison

Hugh MacDiarmid, Thomas Kinsella, and Basil Bunting 214
Extracts from The Modern Poetic Sequence 218
M. L. Rosenthal and Sally M. Gall

Stevie Smith 230
Extract from A History of Twentieth-Century British Women’s Poetry 232
Jane Dowson and Alice Entwistle

Tony Harrison 234
Extract from The Poetry of Tony Harrison 237
Luke Spencer

8 Northern Irish Poetry: The Poles of Our Condition 245
Seamus Heaney and Derek Mahon

Seamus Heaney 245
Extracts from The Poetry of Seamus Heaney 250
Neil Corcoran

Derek Mahon 259
Extract from Poetry in the Wars 263
Edna Longley

Afterword 267

Recommended Reading 272

Index 290

TwentiethCentury British and Irish Poetry

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    A Paperback / softback by Michael O'Neill, Madeleine Callaghan

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 07/01/2011
      ISBN13: 9780631215103, 978-0631215103
      ISBN10: 0631215107

      Description

      Book Synopsis
      Featuring contributions from some of the major critics of contemporary poetry, Twentieth-Century British and Irish Poetry offers an accessible, imaginative, and highly stimulating body of critical work on the evolution of British and Irish poetry in the twentieth-century.

      Trade Review

      “The editors have admirably carried out their self-imposed tasks ... The somewhat complicated arrangement is amply justified if one considers the work as a classroom tool, aimed primarily at giving a student audience food for thought, Helen Goethals.” (Cercles, 2012)



      Table of Contents

      Acknowledgements viii

      Introduction 1

      1 Modern Poetry: Transition and Trauma 11
      Thomas Hardy, Edward Thomas and Wilfred Owen

      Thomas Hardy 11
      Extract from British Poetry in the Age of Modernism 17
      Peter Howarth

      Edward Thomas 30
      Extract from The Poetry of Edward Thomas 33
      Andrew Motion

      Wilfred Owen 37
      Extract from Poetry of Mourning 41
      Jahan Ramazani

      2 Forms of Modernism: Things Fall Apart 57
      W. B. Yeats, T. S. Eliot and D. H. Lawrence

      W. B. Yeats 57
      Extract from Our Secret Discipline 63
      Helen Vendler

      T. S. Eliot 71
      Extract from He Do the Police in Different Voices 77
      Calvin Bedient

      D. H. Lawrence 83
      Extract from ‘Hibiscus and Salvia Flowers’ 87
      Tom Paulin

      3 Poetry of the Thirties: Between Two Fires 94
      W. H. Auden, Louis MacNeice and Stephen Spender

      W. H. Auden 94
      Extract from ‘The 1930s Poetry of W. H. Auden’ 98
      Michael O’Neill

      Louis MacNeice 108
      Extract from Louis MacNeice 112
      Peter McDonald

      Stephen Spender 120
      Extracts from The Ironic Harvest 123
      Geoffrey Thurley

      4 Poetry of the Forties: Realism and Rhetoric 129
      Keith Douglas and Dylan Thomas

      Keith Douglas 130
      Extract from ‘I in Another Place’ 133
      Geoffrey Hill

      Dylan Thomas 141
      Extract from The Romantic Survival 144
      John Bayley

      5 Post-War Poetry: Featureless Morning, Featureless Night 149
      Philip Larkin and the Movement

      Philip Larkin 149
      Extract from Out of Reach 154
      Andrew Swarbrick

      The Movement 162
      Extract from The Movement 166
      Blake Morrison

      6 Beyond the Movement: No Bloodless Myth 178
      Ted Hughes, Sylvia Plath and Geoffrey Hill

      Ted Hughes 179
      Extract from ‘Ted Hughes: The Double Voice’ 182
      Margaret Dickie

      Sylvia Plath 187
      Extract from Sylvia Plath and the Theatre of Mourning 191
      Christina Britzolakis

      Geoffrey Hill 200
      Extract from ‘History to the Defeated’ 203
      Alan Robinson

      7 Situated Sequences and Marginal Voices 214
      Basil Bunting, Hugh MacDiarmid, Thomas Kinsella, Stevie Smith and Tony Harrison

      Hugh MacDiarmid, Thomas Kinsella, and Basil Bunting 214
      Extracts from The Modern Poetic Sequence 218
      M. L. Rosenthal and Sally M. Gall

      Stevie Smith 230
      Extract from A History of Twentieth-Century British Women’s Poetry 232
      Jane Dowson and Alice Entwistle

      Tony Harrison 234
      Extract from The Poetry of Tony Harrison 237
      Luke Spencer

      8 Northern Irish Poetry: The Poles of Our Condition 245
      Seamus Heaney and Derek Mahon

      Seamus Heaney 245
      Extracts from The Poetry of Seamus Heaney 250
      Neil Corcoran

      Derek Mahon 259
      Extract from Poetry in the Wars 263
      Edna Longley

      Afterword 267

      Recommended Reading 272

      Index 290

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