Description

Book Synopsis
Sandra Simonds’s Triptychs is a brilliant intersection of poetic form and the passage of time.

Crafted initially in strips handwritten on rolls of receipt paper obtained at a dollar store, then assembled into three textual columns that sit side-by-side on the page, these triptychs are joined or disjoined in several ways—through diction, through the special relation of words (evoking intimacy, touch or, in contrast, alienation), and through thematic similarities or dissimilarities. Each poem is wildly surprising, ranging from conversations between Baudelaire and Jayne Eyre to the enjoyment of macaroons. As a result, the poems energize the confines of this writing space as they invite readers to recall painterly constructions and news headlines, wherein each pillar is in conversation with another, sequentially and simultaneously. With the same lyric attention found in all of Simonds’s poetry, the poems here mark an innovative shift in poetics that is both polyvocal and singular.



Trade Review
Fevered and philosophical, Simonds’s fierce lyric rages against capitalism and patriarchy for stifling compassion and collective imagination" New Yorker

"Simonds paints a careful portrait of the struggle to embrace difficult realities in an age in which it would be irresponsible to ignore them, even if doing so offers no easy path forward. "—starred review for ATOPIA, Publishers Weekly


Table of Contents

TABLE OF CONTENTS


I Gave Birth in Another Era

Bildungsroman

Reading The Bell Jar in Everglades National Park

Gong! Gong! Gong!

Now that You’re Dead, I’m Observing Great Bodies of Water

With Joy with No Joy

Now Wait for Last Year

Let’s Make the Water Turn Black

And the Days Shall be Filled with Music

The Poet Enters Through the Subjunctive Mood

Sketches for My Sweetheart the Drunk

I Sang a Song with the Dead

March Pandémie

Planting a Loquat Tree During the Worst Week of the Pandemic

As in the Pyroclastic Volcano

The Future is Not What it Was

Your Eyes Resemble Mine

Poem with Three Lines by Gustaf Sobin

Dollar Tree Poiesis

Tick Tock Cryptic

Hold! Said the Hand Said the Money

To Take a Lover in the Intricately Woven Kaleidoscope

Dear Anselm,

Pastoral in the Minor Key

The Only Cloud in the Sky to Impress me with a Demoniacal Grandeur

The Password is Hex Key 526

The Flammagenitus Strophes

Skate World Waveform

It was Raining in the French Concession

Double Happiness or “Modernity Means Contingency”

Trashland Political Economy

An Equanimous Defense of the Exclamation Point

New Year’s Requiem

Makeup Pollen Ointment

I Bought You a Bonsai Cypress Tree on the Way to the Shore

On Avondale and Riverside

Triptychs

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Order before 4pm tomorrow for delivery by Wed 7 Jan 2026.

A Hardback by Sandra Simonds

Out of stock


    View other formats and editions of Triptychs by Sandra Simonds

    Publisher: Wave Books
    Publication Date: 12/01/2023
    ISBN13: 9781950268696, 978-1950268696
    ISBN10: 1950268691

    Description

    Book Synopsis
    Sandra Simonds’s Triptychs is a brilliant intersection of poetic form and the passage of time.

    Crafted initially in strips handwritten on rolls of receipt paper obtained at a dollar store, then assembled into three textual columns that sit side-by-side on the page, these triptychs are joined or disjoined in several ways—through diction, through the special relation of words (evoking intimacy, touch or, in contrast, alienation), and through thematic similarities or dissimilarities. Each poem is wildly surprising, ranging from conversations between Baudelaire and Jayne Eyre to the enjoyment of macaroons. As a result, the poems energize the confines of this writing space as they invite readers to recall painterly constructions and news headlines, wherein each pillar is in conversation with another, sequentially and simultaneously. With the same lyric attention found in all of Simonds’s poetry, the poems here mark an innovative shift in poetics that is both polyvocal and singular.



    Trade Review
    Fevered and philosophical, Simonds’s fierce lyric rages against capitalism and patriarchy for stifling compassion and collective imagination" New Yorker

    "Simonds paints a careful portrait of the struggle to embrace difficult realities in an age in which it would be irresponsible to ignore them, even if doing so offers no easy path forward. "—starred review for ATOPIA, Publishers Weekly


    Table of Contents

    TABLE OF CONTENTS


    I Gave Birth in Another Era

    Bildungsroman

    Reading The Bell Jar in Everglades National Park

    Gong! Gong! Gong!

    Now that You’re Dead, I’m Observing Great Bodies of Water

    With Joy with No Joy

    Now Wait for Last Year

    Let’s Make the Water Turn Black

    And the Days Shall be Filled with Music

    The Poet Enters Through the Subjunctive Mood

    Sketches for My Sweetheart the Drunk

    I Sang a Song with the Dead

    March Pandémie

    Planting a Loquat Tree During the Worst Week of the Pandemic

    As in the Pyroclastic Volcano

    The Future is Not What it Was

    Your Eyes Resemble Mine

    Poem with Three Lines by Gustaf Sobin

    Dollar Tree Poiesis

    Tick Tock Cryptic

    Hold! Said the Hand Said the Money

    To Take a Lover in the Intricately Woven Kaleidoscope

    Dear Anselm,

    Pastoral in the Minor Key

    The Only Cloud in the Sky to Impress me with a Demoniacal Grandeur

    The Password is Hex Key 526

    The Flammagenitus Strophes

    Skate World Waveform

    It was Raining in the French Concession

    Double Happiness or “Modernity Means Contingency”

    Trashland Political Economy

    An Equanimous Defense of the Exclamation Point

    New Year’s Requiem

    Makeup Pollen Ointment

    I Bought You a Bonsai Cypress Tree on the Way to the Shore

    On Avondale and Riverside

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