Description

Book Synopsis
Trespasses presents key writings of the cultural critic Misao Miyoshi, including eleven previously published selections and a major new essay in which he calls for a global environmental protection studies.

Trade Review
“The great range and scope of the texts compiled in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.” - Balthazar Becker, Social Text
“I mourn and celebrate a comrade. Here in luminous prose are the resonances: A double bind about double consciousness; a desire to keep the trivialized humanities committed to justice; a concern for the native language, for translation as active practice rather than passive convenience, for the burden of English, the political economy of globalization, and the transformation of knowledge into intellectual property; a critique of the university from within; ever mercurial, hard to situate. Il miglior fabbro.”—Gayatri Chakravorty Spivak, University Professor in the Humanities, Columbia University
“Radical art, the commercialization of the university, the nation-state, Japan and the West, cultural studies, subjectivity and pronouns, ecology, the state of things from Korea to the Mexican border, or from Cardinal Newman to documenta X—such are the seemingly heterogeneous materials united by a commitment to an implacable unification of the aesthetic and the political, of attention to art and attention to globalization, which Miyoshi’s lifework holds out for us like an ideal.”—Fredric Jameson, from the foreword
“There is no denying that Masao Miyoshi’s Trespasses is a challenging yet deeply engaging collection of the writings from a major figure in Japanese studies (and one of its most outspoken critics), who could not be hemmed in by disciplinary fences. It proves that he still has much to teach those of us who walk in his footsteps.” -- Kyu Hyun Kim * Pacific Affairs *
“The great range and scope of the texts complied in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.” -- Bastian Balthazar Becker * Social Text *

Table of Contents
Foreword / Fredric Jameson xi
Introduction. Trespasser: An Introduction to the Life and Work of Masao Miyoshi / Eric Cazdyn xv
Literary Elaborations 1
First-Person Pronouns in Japanese Diaries (1979) 49
The Tale of Genji: Translation as Interpretation (1979) 77
Who Decides, and Who Speaks? Shutaisei and the West in Postwar Japan (1991) 83
The Invention of English Literature in Japan (1993) 111
A Borderless World? From Colonialism to Transnationalism and the Decline of the Nation-State (1993) 127
Outside Architecture (1996) 151
"Bunburying" in the Japan Field: A Reply to Jeff Humphries (1997) 159
Art without Money: documenta X (1998) 175
Japan Is Not Interesting (1999) 189
Ivory Tower in Escrow: Ex Uno Plures (2000) 205
Turn to the Planet: Literature and Diversity, Ecology and Totality (2001) 243
A Conversation with Masao Miyoshi (2000) 263
Notes 285
Selected Works by Masao Miyoshi 331
Index 333

Trespasses

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    A Paperback / softback by Masao Miyoshi, Eric Cazdyn

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      Publisher: Duke University Press
      Publication Date: Publication Date: 07/04/2010
      ISBN13: 9780822346371, 978-0822346371
      ISBN10: 0822346370

      Description

      Book Synopsis
      Trespasses presents key writings of the cultural critic Misao Miyoshi, including eleven previously published selections and a major new essay in which he calls for a global environmental protection studies.

      Trade Review
      “The great range and scope of the texts compiled in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.” - Balthazar Becker, Social Text
      “I mourn and celebrate a comrade. Here in luminous prose are the resonances: A double bind about double consciousness; a desire to keep the trivialized humanities committed to justice; a concern for the native language, for translation as active practice rather than passive convenience, for the burden of English, the political economy of globalization, and the transformation of knowledge into intellectual property; a critique of the university from within; ever mercurial, hard to situate. Il miglior fabbro.”—Gayatri Chakravorty Spivak, University Professor in the Humanities, Columbia University
      “Radical art, the commercialization of the university, the nation-state, Japan and the West, cultural studies, subjectivity and pronouns, ecology, the state of things from Korea to the Mexican border, or from Cardinal Newman to documenta X—such are the seemingly heterogeneous materials united by a commitment to an implacable unification of the aesthetic and the political, of attention to art and attention to globalization, which Miyoshi’s lifework holds out for us like an ideal.”—Fredric Jameson, from the foreword
      “There is no denying that Masao Miyoshi’s Trespasses is a challenging yet deeply engaging collection of the writings from a major figure in Japanese studies (and one of its most outspoken critics), who could not be hemmed in by disciplinary fences. It proves that he still has much to teach those of us who walk in his footsteps.” -- Kyu Hyun Kim * Pacific Affairs *
      “The great range and scope of the texts complied in this anthology and the clarity and urgency of voice and vision which characterizes Miyoshi's critique will indubitably bring his ideas and concerns to a wider audience.” -- Bastian Balthazar Becker * Social Text *

      Table of Contents
      Foreword / Fredric Jameson xi
      Introduction. Trespasser: An Introduction to the Life and Work of Masao Miyoshi / Eric Cazdyn xv
      Literary Elaborations 1
      First-Person Pronouns in Japanese Diaries (1979) 49
      The Tale of Genji: Translation as Interpretation (1979) 77
      Who Decides, and Who Speaks? Shutaisei and the West in Postwar Japan (1991) 83
      The Invention of English Literature in Japan (1993) 111
      A Borderless World? From Colonialism to Transnationalism and the Decline of the Nation-State (1993) 127
      Outside Architecture (1996) 151
      "Bunburying" in the Japan Field: A Reply to Jeff Humphries (1997) 159
      Art without Money: documenta X (1998) 175
      Japan Is Not Interesting (1999) 189
      Ivory Tower in Escrow: Ex Uno Plures (2000) 205
      Turn to the Planet: Literature and Diversity, Ecology and Totality (2001) 243
      A Conversation with Masao Miyoshi (2000) 263
      Notes 285
      Selected Works by Masao Miyoshi 331
      Index 333

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