Description
Book SynopsisThe "Treatise on Musical Objects" by Pierre Schaeffer is regarded as his most important work on music and its relationship with technology. Drawing on acoustics, physics, and physiology, but also philosophy and the relationship between subject and object, this book summarizes his theoretical and practical work in music composition.
Trade Review"[Christine North and John Dack's] English translation is as effective as Schaeffer’s text, which in turn exercises its full correlative power to English readers to the extent that the translators have rendered it." * Association for Recorded Sound Collections Journal *
Table of ContentsThe Treatise on Musical Objects
and the GRM, by Daniel TeruggiTranslators’ Introduction, by Christine NorthPierre Schaeffer’s Treatise on Musical Objects
and Music Theory, by John Dack Acknowledgments
Preface
Introductory Remarks: The Historical Situation of Music
Book One. Making Music
1. The Instrumental Prerequisite
2. Playing an Instrument
3. Capturing Sounds
4. Acousmatics
Book Two. Hearing
5. "What Can Be Heard"
6. The Four Listening Modes
7. Scientific Prejudice
8. The Hearing Intention
Book Three. Correlations Between the Physical Signal and the Musical Object
9. Ambiguities in Musical Acoustics
10. Correlation between Spectra and Pitches
11. Threshold and Transients
12. Temporal Anamorphoses I: Timbres and Dynamics
13. Temporal Anamorphoses II: Timbre and Instrument
14. Time and Duration
Book Four. Objects and Structures
15. Reduction to the Object
16. Perceptual Structures
17. Comparative Structures: Music and Language
18. The Conventional Musical System: Musicality and Sonority
19. Natural Sound Structures: Musicianly Listening
20. The Reduced Listening System: Musical Dualism
21. Musical Research
Book Five. Morphology and Typology of Sound Objects
22. Morphology of Sound Objects
23. The Laboratory
24. Typology of Musical Objects (I): Classification Criteria
25. Typology of Musical Objects (II): Balanced and Redundant Objects
26. Typology of Musical Objects (III): Eccentric Sounds
27. Working at Our Instrument
Book Six. Theory of Musical Objects
28. Musical Experience
29. Generalizing Music Theory
30. Theory of Homogenous Sounds: Criterion of Mass
31. Theory of Fixed Masses: Dynamic Criterion
32. Theory of Sustainment
33. Theory of Variations
34. Analysis of the Musical Object as It Generally Appears
Book Seven. Music as a Discipline
35. Implementation
36. The Meaning of Music
Penultimate Chapter: In the Search of Music Itself
Postscript
Index
