Description
Book SynopsisOver the past decades, the memory of the Holocaust has not only become a common cultural consciousness but also a cultural property shared by people all over the world. This collection brings together academics, critics and creative practitioners from the fields of Holocaust Studies, Literature, History, Media Studies, Creative Writing and German Studies to discuss contemporary trends in Holocaust commemoration and representation in literature, film, TV, the entertainment industry and social media.
The essays in this trans-disciplinary collection debate how contemporary culture engages with the legacy of the Holocaust now that, 75 years on from the end of the Second World War, the number of actual survivors is dwindling. It engages with ongoing cultural debates in Holocaust Studies that have seen a development from, largely, testimonial presentations of the Holocaust to more fictional narratives both in literature and film. In addition to a number of chapters focusing in part
Table of Contents
Part I: Introduction
Introduction: the Holocaust in Contemporary Culture
Christine Berberich
1. ‘To tell the story’: cultural trauma and holocaust metanarrative
Anna Clare Hunter
Part II: New Trends in Holocaust Fiction
2. No laughing matter: humor and the Holocaust in Woody Allen, Shalom Auslander, and Howard Jacobson
Christopher Madden
3. From silence to testimony: performing trauma and postmemory in Jonathan Safran Foer’s Everything is Illuminated
Audrey Bardizbanian
4. Whose trauma is it? A trauma-theoretical reading of The Book Thief by Marcus Zusak
Zuzana Burákóva
5. ‘I think I’m beginning to understand. What I’m writing is an infranovel’: Laurent Binet, HHhH and the problem of ‘writing
history’
Christine Berberich
6. ‘Beyond words’: representing the ‘Holocaust by bullets’
Sue Vice
7. Still struggling with German history: W.G. Sebald, Gunter Demnig and activist memory workers in Berlin today
Kirsten Grimstad
Part III: The Holocaust in Contemporary Culture
8. Remembering the ‘unwanted’ victims: initiatives to memorialize the National Socialist euthanasia program in Germany
Caroline Pearce
9. Figuring the Grey Zone: the Auschwitz Sonderkommando in contemporary culture
Dominic Williams
10. Instagram and Auschwitz: a critical assessment of the impact social media has on Holocaust representation
Gemma Commane and Rebekah Potton
11. Encountering Auschwitz: touring the Auschwitz-Birkenau State Museum
Claire Griffiths
Afterword: Conclusion
Christine Berberich
