Description

Book Synopsis

Trauma and Pain Without a Subject explores the necessity of the subject of trauma emerging, particularly when a victim has experienced but not worked through disruptive situations, in order for unconscious pain to finally be experienced.

The book is presented in three parts, with the first, Transgression and Crime, uncovering silence around the topic of incest and sexual violence within the clinic. The second part, Between Completeness and Nothingness, develops the topic of sexual violence and considers the construction of femininities and masculinities within the paradigm of a heteronormative patriarchal society, with reference to Shakespeare's Much Ado About Nothing. The third part, Yes, We See, But What? What We Hear, explores the intimate relation between the visual and the auditory, especially in relation to hysteria.

Trauma and Pain Without a Subject will be of great interest to psychoanalysts in practice and in training, and to all psychoanaly

Trauma and Pain Without a Subject

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    Order before 4pm tomorrow for delivery by Thu 11 Jun 2026.

    A Paperback by Juan-Eduardo Tesone

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      View other formats and editions of Trauma and Pain Without a Subject by Juan-Eduardo Tesone

      Publisher: Taylor & Francis Ltd
      Publication Date: 1/29/2024
      ISBN13: 9781032647777, 978-1032647777
      ISBN10: 1032647779

      Description

      Book Synopsis

      Trauma and Pain Without a Subject explores the necessity of the subject of trauma emerging, particularly when a victim has experienced but not worked through disruptive situations, in order for unconscious pain to finally be experienced.

      The book is presented in three parts, with the first, Transgression and Crime, uncovering silence around the topic of incest and sexual violence within the clinic. The second part, Between Completeness and Nothingness, develops the topic of sexual violence and considers the construction of femininities and masculinities within the paradigm of a heteronormative patriarchal society, with reference to Shakespeare's Much Ado About Nothing. The third part, Yes, We See, But What? What We Hear, explores the intimate relation between the visual and the auditory, especially in relation to hysteria.

      Trauma and Pain Without a Subject will be of great interest to psychoanalysts in practice and in training, and to all psychoanaly

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