Description

Book Synopsis
Trash or treasure is a wide-ranging historical study of the British circulation of the video nasties - A term that was originally coined to ban a group of horror videos in Britain in the 1980s but which continues to have cultural resonance in Britain up to the present day.

Table of Contents

Introduction: the video nasties and the consequences of censorship. Producing the nasties
1. The British art of policing cultural boundaries: the legacy of British horror film reviewing
2. Reconsidering ‘the plague years’: the marketing of the video nasties
3. A ‘real horror show’: the video nasty press campaign. Cults, collectors and cultural memory
4. Mapping out the territory of a fan culture: video nasties and the British horror magazine
5. Facts, lists and memories: ‘masculine’ identities and video nasty websites
6. The celebration of a ‘proper product’: exploring video collecting through the video nasties Re-releases and re-evaluations
7. Previously banned: remarketing the nasties as retro products
8. Low or high? Film Four, film festivals and the nasties
Conclusion: the nasties, British film culture and cross-cultural reception

Trash or Treasure Censorship and the Changing

    Product form

    £18.99

    Includes FREE delivery

    RRP £19.99 – you save £1.00 (5%)

    Order before 4pm today for delivery by Sat 27 Jun 2026.

    A Paperback by Kate Egan

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Trash or Treasure Censorship and the Changing by Kate Egan

      Publisher: Manchester University Press
      Publication Date: 6/30/2012 12:00:00 AM
      ISBN13: 9780719072338, 978-0719072338
      ISBN10: 0719072336

      Description

      Book Synopsis
      Trash or treasure is a wide-ranging historical study of the British circulation of the video nasties - A term that was originally coined to ban a group of horror videos in Britain in the 1980s but which continues to have cultural resonance in Britain up to the present day.

      Table of Contents

      Introduction: the video nasties and the consequences of censorship. Producing the nasties
      1. The British art of policing cultural boundaries: the legacy of British horror film reviewing
      2. Reconsidering ‘the plague years’: the marketing of the video nasties
      3. A ‘real horror show’: the video nasty press campaign. Cults, collectors and cultural memory
      4. Mapping out the territory of a fan culture: video nasties and the British horror magazine
      5. Facts, lists and memories: ‘masculine’ identities and video nasty websites
      6. The celebration of a ‘proper product’: exploring video collecting through the video nasties Re-releases and re-evaluations
      7. Previously banned: remarketing the nasties as retro products
      8. Low or high? Film Four, film festivals and the nasties
      Conclusion: the nasties, British film culture and cross-cultural reception

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account