Description
Book SynopsisArgues for new relationships between Chaucer’s poetry and works by others
Trade Review'This dazzlingly original study gives us a new Chaucer, or I should say "new Chaucers": a multiplicity of Chaucers within and around and subsequent to his text. Helen Barr populates her book with Chaucer stand-ins, doubles, images, lurkers and avatars – all testifying to the inexhaustible suggestiveness of the original text and its unending cultural resonance. This is a bold book, a true departure, teeming with new leads and prompts and suggestions. It is essential reading, the best on its subject to appear in a long, long time.
Paul Strohm, Anna S. Garbedian Professor Emeritus of the Humanities, Columbia University
'Transporting Chaucer is a quirky book, even admittedly so. It opens with a consideration of a suspended modern sculpture in Canterbury Cathedral that poses questions of place, memory and embodiment that the author wishes to raise more generally – as well as a sense of surprise and accidental discovery, governed by the intrusion of the past into the present (and vice versa) that animates the project(s).'
Elizabeth Scala, The Review of English Studies, 18 June 2015
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Table of ContentsIntroduction: Transporting Chaucer
1 The figure in the Canterbury stained glass: Chaucerian Beckets
2 Crossing borders: Northumberland bodies unbound
3 Chaucer’s hands
4 ‘Wrinkled deep in time’: Emily and Arcite in A Midsummer Night’s Dream
5 Bones and bays: on with The Knight’s Tale
6 Reverberate Troy: Sounding The House of Fame in Troilus and Cressida
7 Da capo
Index
