Description

Book Synopsis
Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term transmedia with transnational, they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors. Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsiv

Table of Contents
Acknowledgments
Preface: Origins, Agents, and Alternative Archaeologies

PART I. MEDIUM SPECIFICITY AND PRODUCTIVE PRECURSORS
Medium Specificity and Productive Precursors: An Introduction
Marsha Kinder

Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis
N. Katherine Hayles

Postmedia Aesthetics
Lev Manovich

If–Then–Else: Memory and the Path Not Taken
Edward Branigan

Cyberspace and Its Precursors: Lintsbach, Warburg, Eisenstein
Yuri Tsivian

Past Indiscretions: Digital Archives and Recombinant History
Steve Anderson

Films Beget Digital Media
Stephen Mamber

Navigating the Ocean of Streams of Story
Grahame Weinbren

Is This Not a Screen? Notes on the Mobile Phone and Cinema
Caroline Bassett

PART II. DIGITAL POSSIBILITIES AND THE REIMAGINING OF POLITICS, PLACE, AND THE SELF
Digital Possibilities and the Reimagining of Politics, Place, and the Self: An Introduction
Tara McPherson

Transnational/National Digital Imaginaries
John Hess and Patricia R. Zimmermann

Is (Cyber) Space the Place?
Herman Gray

Linkages: Political Topography and Networked Topology
David Wade Crane

The Database City: The Digital Possessive and Hollywood Boulevard
Eric Gordon

Cuba, Cyberculture, and the Exile Discourse
Cristina Venegas

Thinking Digitally/Acting Locally: Interactive Narrative, Neighborhood Soil, and La Cosecha Nuestra Community
John T. Caldwell

Video Installation Art as Uncanny Shock, or How Bruce Nauman’s Corridors Expand Sensory Life
Mark B. N. Hansen

Braingirls and Fleshmonsters
Holly Willis

Tech-illa Sunrise (.txt con Sangrita)
Rafael Lozano-Hemmer and Guillermo Gómez-Peña

Works Cited
Index

Transmedia Frictions

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    A Paperback / softback by Marsha Kinder, Tara McPherson, N. Katherine Hayles

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      Publisher: University of California Press
      Publication Date: 16/03/2021
      ISBN13: 9780520383029, 978-0520383029
      ISBN10: 0520383028

      Description

      Book Synopsis
      Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term transmedia with transnational, they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors. Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsiv

      Table of Contents
      Acknowledgments
      Preface: Origins, Agents, and Alternative Archaeologies

      PART I. MEDIUM SPECIFICITY AND PRODUCTIVE PRECURSORS
      Medium Specificity and Productive Precursors: An Introduction
      Marsha Kinder

      Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis
      N. Katherine Hayles

      Postmedia Aesthetics
      Lev Manovich

      If–Then–Else: Memory and the Path Not Taken
      Edward Branigan

      Cyberspace and Its Precursors: Lintsbach, Warburg, Eisenstein
      Yuri Tsivian

      Past Indiscretions: Digital Archives and Recombinant History
      Steve Anderson

      Films Beget Digital Media
      Stephen Mamber

      Navigating the Ocean of Streams of Story
      Grahame Weinbren

      Is This Not a Screen? Notes on the Mobile Phone and Cinema
      Caroline Bassett

      PART II. DIGITAL POSSIBILITIES AND THE REIMAGINING OF POLITICS, PLACE, AND THE SELF
      Digital Possibilities and the Reimagining of Politics, Place, and the Self: An Introduction
      Tara McPherson

      Transnational/National Digital Imaginaries
      John Hess and Patricia R. Zimmermann

      Is (Cyber) Space the Place?
      Herman Gray

      Linkages: Political Topography and Networked Topology
      David Wade Crane

      The Database City: The Digital Possessive and Hollywood Boulevard
      Eric Gordon

      Cuba, Cyberculture, and the Exile Discourse
      Cristina Venegas

      Thinking Digitally/Acting Locally: Interactive Narrative, Neighborhood Soil, and La Cosecha Nuestra Community
      John T. Caldwell

      Video Installation Art as Uncanny Shock, or How Bruce Nauman’s Corridors Expand Sensory Life
      Mark B. N. Hansen

      Braingirls and Fleshmonsters
      Holly Willis

      Tech-illa Sunrise (.txt con Sangrita)
      Rafael Lozano-Hemmer and Guillermo Gómez-Peña

      Works Cited
      Index

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