Description

Book Synopsis
Examines how musicians from the West African Republic of Benin transform Benin’s cultural traditions, especially the ancestral spiritual practice of vodun and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual.

Trade Review
“This tour de force study of vÒdÚn music and religion addresses how the two intersect, interpenetrate, and inform each other—and the world at large. A beautifully written book, at once intellectually rigorous and poetic, Transforming VÒdÚn is a must-read for scholars, students, practitioners, and the general public alike—anyone interested in global music, religion, and how Africa has shaped both.”—Suzanne Blier, Harvard University

“This is a colorful, nuanced, and dynamically conceived manuscript that makes the sounds and concepts of one of West Africa’s most important music cultures accessible to the wider world. It is destined to sit among the classic works of African musical history.”—Michael E. Veal, Yale University

Transforming VÒdÚn contributes to the literature on Beninese jazz and brass bands and vÒdÚn, approaching these topics from the viewpoint of postcolonial trauma studies, diaspora studies, and music and ritual. For all of these reasons, the manuscript will be of interest to ethnomusicologists and can be used in classes on African music, global pop music, jazz studies, and West African history.”—Patricia Tang, Massachusetts Institute of Technology

Table of Contents
  • List of Illustrations
  • Fon-language Pronunciation Guide
  • Acknowledgments
  • Introduction
  • Part I: Multiple Temporalities
  • 1. History and Healing in VÒdÚn Practice, Power, and Value
  • 2. Making la Musique Moderne: Cultural Renaissance in Postcolonial Benin
  • Part II: Transforming VÒdÚn
  • 3. GangbÉ Brass Band: Producing VÒdÚn, Producing Livelihood
  • 4. Eyo’nlÉ Brass Band: Transforming the Blues
  • 5. Jomion and the Uklos: Hwedo-Jazz and VÒdÚn in the New African Diaspora
  • Conclusion: Trauma, Translation, Transformation
  • Bibliography
  • Glossary

Transforming Vòdún

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    Order before 4pm tomorrow for delivery by Mon 22 Jun 2026.

    A Hardback by Sarah Politz


      View other formats and editions of Transforming Vòdún by Sarah Politz

      Publisher: The University of Michigan Press
      Publication Date: 9/18/2023 12:00:00 AM
      ISBN13: 9780472075966, 978-0472075966
      ISBN10: 0472075969

      Description

      Book Synopsis
      Examines how musicians from the West African Republic of Benin transform Benin’s cultural traditions, especially the ancestral spiritual practice of vodun and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual.

      Trade Review
      “This tour de force study of vÒdÚn music and religion addresses how the two intersect, interpenetrate, and inform each other—and the world at large. A beautifully written book, at once intellectually rigorous and poetic, Transforming VÒdÚn is a must-read for scholars, students, practitioners, and the general public alike—anyone interested in global music, religion, and how Africa has shaped both.”—Suzanne Blier, Harvard University

      “This is a colorful, nuanced, and dynamically conceived manuscript that makes the sounds and concepts of one of West Africa’s most important music cultures accessible to the wider world. It is destined to sit among the classic works of African musical history.”—Michael E. Veal, Yale University

      Transforming VÒdÚn contributes to the literature on Beninese jazz and brass bands and vÒdÚn, approaching these topics from the viewpoint of postcolonial trauma studies, diaspora studies, and music and ritual. For all of these reasons, the manuscript will be of interest to ethnomusicologists and can be used in classes on African music, global pop music, jazz studies, and West African history.”—Patricia Tang, Massachusetts Institute of Technology

      Table of Contents
      • List of Illustrations
      • Fon-language Pronunciation Guide
      • Acknowledgments
      • Introduction
      • Part I: Multiple Temporalities
      • 1. History and Healing in VÒdÚn Practice, Power, and Value
      • 2. Making la Musique Moderne: Cultural Renaissance in Postcolonial Benin
      • Part II: Transforming VÒdÚn
      • 3. GangbÉ Brass Band: Producing VÒdÚn, Producing Livelihood
      • 4. Eyo’nlÉ Brass Band: Transforming the Blues
      • 5. Jomion and the Uklos: Hwedo-Jazz and VÒdÚn in the New African Diaspora
      • Conclusion: Trauma, Translation, Transformation
      • Bibliography
      • Glossary

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