Description

In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo’s poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display.

Transcending Textuality: Quevedo and Political Authority in the Age of Print

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Hardback by Ariadna García-Bryce

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In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it... Read more

    Publisher: Pennsylvania State University Press
    Publication Date: 15/05/2011
    ISBN13: 9780271037752, 978-0271037752
    ISBN10: 027103775X

    Number of Pages: 176

    Non Fiction , ELT & Literary Studies , Education

    Description

    In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo’s poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display.

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