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Book Synopsis

Colbert Nepaulsingh has written a new kind of history of medieval Spanish literature, one based on hermeneutic principles derived from such literary theorists as hans-Georg Gadamer. Through a close and original reading of selected major texts such as Razon de amor and Libro de buen amor, he answers some of the fundamental questions about how literary works were composed during the medieval period.

Professor Nepaulsingh brings into clear focus the evolution of a series of sophisticated compositional techniques over three centuries. In early thirteenth-century texts, stringing and juxtaposing techniques predominated; at the end of the thirteenth and through the fourteenth century a more dialectical method of composing texts became more dominant, in the fifteenth century the most popular compositional device was the wheel of Fortune. Nepaulsingh deftly places these developments in the wider context of the biblical and apocalyptical traditions that overwhelmingly dominated mediev

Towards a History of Literary Composition in Medieval Spain

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    A Paperback by Colbert I Nepaulsingh

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      Book details

      Publisher University of Toronto Press
      Published 15 December 1986
      ISBN-13 9781487577247
      978-1487577247
      Also in:
      Historical and comparative linguistics

      Description

      Book Synopsis

      Colbert Nepaulsingh has written a new kind of history of medieval Spanish literature, one based on hermeneutic principles derived from such literary theorists as hans-Georg Gadamer. Through a close and original reading of selected major texts such as Razon de amor and Libro de buen amor, he answers some of the fundamental questions about how literary works were composed during the medieval period.

      Professor Nepaulsingh brings into clear focus the evolution of a series of sophisticated compositional techniques over three centuries. In early thirteenth-century texts, stringing and juxtaposing techniques predominated; at the end of the thirteenth and through the fourteenth century a more dialectical method of composing texts became more dominant, in the fifteenth century the most popular compositional device was the wheel of Fortune. Nepaulsingh deftly places these developments in the wider context of the biblical and apocalyptical traditions that overwhelmingly dominated mediev

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