Description

Book Synopsis
This book has three distinctive characteristics: (1) It offers a widely interdisciplinary perspective; (2) It provides a comprehensive view of poetry, with groups of chapters on the Sound Stratum of Poetry (rhyme patterns and gestalt theory; metre and rhythm; expressiveness and musicality of speech sounds); the Units-of-Meaning Stratum (semantic representation and information processing, metaphor, rhyme and meaning, literary synaesthesia); the World Stratum; Regulative Concepts (genre, period style, archetypal patterns); the Poetry of Orientation and Disorientation (experiential and mystic poetry versus poetry of emotional disorientation; and the grotesque); the Poetry of Altered States of Consciousness (hypnotic and ecstatic poetry); Critics and Criticism; and Cognitive Poetics vs. Cognitive Linguistics; (3) It goes into minute details of poetic texts, so as to account for subtle intuitions of readers. Updating from the first edition consists of samples from the author's later instrumental study of the rhythmical performance of poetry and the expressiveness of speech sounds; and in three chapters responding to the later work of three cognitive linguists.

Trade Review
"In one of the founding studies of cognitive literary criticism, Tsur combines earlier theoretical approaches (such as Russian formalism) with methods from cognitive psychology and other fields within cognitive science, resulting in a capacious and suggestive survey of many aspects of literary form in light of their perceived effects on readers." -- Literary Theory and Criticism: An Oxford Guide

Table of Contents
General Assumptions -- The Nature of Cognitive Poetics; Mental and Vocal Performance in Poetry Reading; Constructing a Stable World; Structure and Perceived Qualities. The Sound Stratum of Poetry -- Rhyme Patterns, Gestalt Theory and Perceptual Forces; Metre and Rhythm; Delivery Style and Listener Response: An Empirical Study; Expressiveness and Musicality of Speech Sounds. The Units-of-Meaning Stratum -- Semantic Representation and Information Processing; Literary Synaesthesia. The World Stratum -- The Representative Anecdote: Human Contingency. Regulative Concepts -- The Versatile Reader: Style as Open Concept; Style as Diagnosis and as Hypothesis: Archetypal Patterns. Poetry of Orientation & Disorientation -- Space Perception and Poetry of Orientation; poetry of Disorientation; The Grotesque as an Aesthetic Mode. Poetry of Altered States of Consciousness -- Poetry and Altered States of Consciousness; Obtrusive Rhythms and Emotive Crescendo; The Divergent Passage and Ecstatic Poetry. Critics and Criticism -- The Implied Critic's Decision Style; The Critic's Mental Dictionary. Cognitive Poetics and Cognitive Linguistics -- Lakoff's Roads Not Taken; Deixis in Literature: What Isn't Cognitive Poetics?; Comparing Approaches to Versification Style in Cyrano de Bergerac; Index.

Toward a Theory of Cognitive Poetics: Second,

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    A Hardback by Reuven Tsur

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      View other formats and editions of Toward a Theory of Cognitive Poetics: Second, by Reuven Tsur

      Publisher: Liverpool University Press
      Publication Date: 01/02/2008
      ISBN13: 9781845192556, 978-1845192556
      ISBN10: 1845192559

      Description

      Book Synopsis
      This book has three distinctive characteristics: (1) It offers a widely interdisciplinary perspective; (2) It provides a comprehensive view of poetry, with groups of chapters on the Sound Stratum of Poetry (rhyme patterns and gestalt theory; metre and rhythm; expressiveness and musicality of speech sounds); the Units-of-Meaning Stratum (semantic representation and information processing, metaphor, rhyme and meaning, literary synaesthesia); the World Stratum; Regulative Concepts (genre, period style, archetypal patterns); the Poetry of Orientation and Disorientation (experiential and mystic poetry versus poetry of emotional disorientation; and the grotesque); the Poetry of Altered States of Consciousness (hypnotic and ecstatic poetry); Critics and Criticism; and Cognitive Poetics vs. Cognitive Linguistics; (3) It goes into minute details of poetic texts, so as to account for subtle intuitions of readers. Updating from the first edition consists of samples from the author's later instrumental study of the rhythmical performance of poetry and the expressiveness of speech sounds; and in three chapters responding to the later work of three cognitive linguists.

      Trade Review
      "In one of the founding studies of cognitive literary criticism, Tsur combines earlier theoretical approaches (such as Russian formalism) with methods from cognitive psychology and other fields within cognitive science, resulting in a capacious and suggestive survey of many aspects of literary form in light of their perceived effects on readers." -- Literary Theory and Criticism: An Oxford Guide

      Table of Contents
      General Assumptions -- The Nature of Cognitive Poetics; Mental and Vocal Performance in Poetry Reading; Constructing a Stable World; Structure and Perceived Qualities. The Sound Stratum of Poetry -- Rhyme Patterns, Gestalt Theory and Perceptual Forces; Metre and Rhythm; Delivery Style and Listener Response: An Empirical Study; Expressiveness and Musicality of Speech Sounds. The Units-of-Meaning Stratum -- Semantic Representation and Information Processing; Literary Synaesthesia. The World Stratum -- The Representative Anecdote: Human Contingency. Regulative Concepts -- The Versatile Reader: Style as Open Concept; Style as Diagnosis and as Hypothesis: Archetypal Patterns. Poetry of Orientation & Disorientation -- Space Perception and Poetry of Orientation; poetry of Disorientation; The Grotesque as an Aesthetic Mode. Poetry of Altered States of Consciousness -- Poetry and Altered States of Consciousness; Obtrusive Rhythms and Emotive Crescendo; The Divergent Passage and Ecstatic Poetry. Critics and Criticism -- The Implied Critic's Decision Style; The Critic's Mental Dictionary. Cognitive Poetics and Cognitive Linguistics -- Lakoff's Roads Not Taken; Deixis in Literature: What Isn't Cognitive Poetics?; Comparing Approaches to Versification Style in Cyrano de Bergerac; Index.

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