Description
Book SynopsisIn this revised edition, Linda Wagner-Martin offers a compelling study of African American writer Toni Morrison's work, beginning with The Bluest Eye in 1970 and continuing through her 2015 novel God Help the Child. Wagner-Martin describes Morrison as an inherently original novelist who was shaped throughout her career by her role within families. Her study focuses on Morrison''s use of family in her narratives, particularly on the roles of mother and child. Beginning with the paradigm of a good mother (Mrs. MacTeer) in The Bluest Eye, set against women who are found wanting in their mother roles, Morrison concentrates in various ways on emphasizing these mother characters. Sometimes those roles are peripheral; more often, they are central. In Sula, for example, the title character has no interest in mothering, but she shows herself to be the product of family disinterest; in Song of Solomon Morrison creates what she terms an ancestor figure to g
Table of Contents
Preface – Acknowledgments and Reference Systems – Introduction: Morrison and the Maternal – Mothers at Random in The Bluest Eye – Sula and the Individuality of Mothering – Replacement Mothering in Song of Solomon – Tar Baby and Its Multiple Non-mothers – Beloved, Beloved, Beloved, Beloved – Jazz and Its Mothers and Non-mothers – Playing in the Dark and the Nobel Acceptance Lecture – Paradise and Its Mothers – Love and Its Absence of Mothers – A Mercy and Abandoning Mothers – Frank Money, Cee, and the Maternal in Home – God Help the Child – Coda – Notes – Selected Bibliography – Index.
