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Book Synopsis

An Associative Art History searches for the place of Czech, Slovak and Eastern European postwar art in global history. Resisting the mere repetition of Western canonization, the publication aims not to fruitlessly compare East and West, but rather to decipher the circumstances under which artworks are created, theorized and compared to each other. How do Knížák, Kolar, Koller and Kovanda relate to Situationism, Minimalism and Fluxus? What does Jindrich Chalupecký have to do with Clement Greenberg?

Czech art historian and curator Tomáš Pospiszyl recounts a history of contemporary Eastern European art by highlighting emblematic stories of the art scene's protagonists, mixing personal anecdotes with artistic agendas. This collection of nine essays, on topics spanning from 1939 to 2013, proposes a new reading of the visual arts during the Iron Curtain era and after.

Tomáš Pospiszyl: An Associative Art History

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    A Paperback / softback by Tomas Pospiszyl, Claire Bishop, Vit Havránek

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      View other formats and editions of Tomáš Pospiszyl: An Associative Art History by Tomas Pospiszyl

      Publisher: JRP Ringier
      Publication Date: 01/11/2017
      ISBN13: 9783037645178, 978-3037645178
      ISBN10: 3037645172
      Also in:
      Art & Photography The Arts Theory of art

      Description

      Book Synopsis

      An Associative Art History searches for the place of Czech, Slovak and Eastern European postwar art in global history. Resisting the mere repetition of Western canonization, the publication aims not to fruitlessly compare East and West, but rather to decipher the circumstances under which artworks are created, theorized and compared to each other. How do Knížák, Kolar, Koller and Kovanda relate to Situationism, Minimalism and Fluxus? What does Jindrich Chalupecký have to do with Clement Greenberg?

      Czech art historian and curator Tomáš Pospiszyl recounts a history of contemporary Eastern European art by highlighting emblematic stories of the art scene's protagonists, mixing personal anecdotes with artistic agendas. This collection of nine essays, on topics spanning from 1939 to 2013, proposes a new reading of the visual arts during the Iron Curtain era and after.

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