Description
Book SynopsisFarah Karim-Cooper is Head of Higher Education & Research at Shakespeare's Globe and Visiting Research Fellow, King's College London, UK.
Table of ContentsList of illustrations List of contributors Series preface Introduction, Farah Karim-Cooper (Shakespeare's Globe, UK)
Part 1: Genre, style and sources 1. Senecan belatedness and
Titus Andronicus, Curtis Perry (University of Illinois at Urbana Champaign, USA) 2.
Titus Andronicus: Elizabethan Classicism and the Styles of New Tragedy, Goran Stanivukovic (Saint Mary's University, Canada) 3. Soliloquies in
Titus Andronicus: An Empirical Approach, James Hirsh (Georgia State University, USA)
Part 2: Critical approaches: Race, culture and politics 4. “I have done thy mother”: Racial and sexual geographies in
Titus Andronicus, John Kunat (Sonoma State University, USA) 5. Remixing the family: Blackness and domesticity in Shakespeare's
Titus Andronicus, David Sterling Brown (Binghampton Universty, SUNY, USA)
6. 'If I might have my will': Aaaron's affect and race in
Titus Andronicus, Carol Mejia LaPerle (Wright State University, USA)
Part 3: Critical approaches: Bodies, emotions and metaphor 7. Metaphorically Speaking:
Titus Andronicus and the Limits of Utterance, Jennifer Edwards (Shakespeare's Globe, UK) 8. Granular Reading: Texture, Language and Surface Marks in
Titus Andronicus, Whitney Sperrazza (University of Kansas, USA)
Part 4: Performance and adaptation 9. 'Did you see that?!':
Titus Andronicus and Theatrical Transgression, Ralph Alan Cohen (Mary Baldwin University, USA) 10. In/di/gestion: Seneca-->Shakespeare-->
South Park, Lizz Angello (University of South Florida, St. Petersburg, USA) 11. 'My tears will choke me, if I ope my mouth': Framing, Feasting and Speaking Sexual Violence in
Titus Andronicus, 2006-2017, Emma Whipday (University of Newcastle, UK) Notes Index
