Description

Book Synopsis
Charlie Lucas is a self-taught artist. Featuring more than 200 vivid color photographs - of the artist at work, his studio environments, and his creations - this title presents his troubled and impoverished childhood, his self-awakening to the depths of his own artistic vision, and his perseverance through years of derision and misapprehension.

Trade Review
Charlie Lucas's sculptures are like kudzu: they remold the silhouette of an object, casting it in a different light. His subjects are the African mask, the slave, chains from the past, and the industrial future. His totem-like figures trace Alabama's Native American culture though the blood-baths and bloodstreams, wrought and welded in iron and steel. His junkyard complex comprising acres of rusting machine bits, sculptures, and the occasional grazing cow, is as terrifying as it is beautiful, and it reminds us what happens to man and his inventions when nature has 'had enough.' - NALL

Tin Man

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    £38.66

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    RRP £42.95 – you save £4.29 (9%)

    Order before 4pm today for delivery by Sat 15 Aug 2026.

    A Hardback by Charlie Lucas, Chip Cooper, Robert Farris Thompson

    10 in stock

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      Publisher: The University of Alabama Press
      Publication Date: Publication Date: 8/30/2009 12:00:00 AM
      ISBN13: 9780817316815, 978-0817316815
      ISBN10: 0817316817
      Also in:
      Individual artists, art monographs

      Description

      Book Synopsis
      Charlie Lucas is a self-taught artist. Featuring more than 200 vivid color photographs - of the artist at work, his studio environments, and his creations - this title presents his troubled and impoverished childhood, his self-awakening to the depths of his own artistic vision, and his perseverance through years of derision and misapprehension.

      Trade Review
      Charlie Lucas's sculptures are like kudzu: they remold the silhouette of an object, casting it in a different light. His subjects are the African mask, the slave, chains from the past, and the industrial future. His totem-like figures trace Alabama's Native American culture though the blood-baths and bloodstreams, wrought and welded in iron and steel. His junkyard complex comprising acres of rusting machine bits, sculptures, and the occasional grazing cow, is as terrifying as it is beautiful, and it reminds us what happens to man and his inventions when nature has 'had enough.' - NALL

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