Description

Book Synopsis

An exuberant collection celebrating the body and the soul of language, wringing delights and amazements out of the latter years of life.

In his seventh decade and seventh full length collection, poet James P. Lenfestey dazzles with a suite of odes to parts of the body—heart, belly, ankle, teeth, ears, and more—and astonishment at the powers of language: “the sound of ‘n,’” our ancient alphabet, “the terror of publishing.” Known for his exuberant Chinese-style lyrics, now inspired by Neruda’s cascading Elemental Odes, Lenfestey praises Hewlett and Packard, Bruce Springsteen, “the language of crow,” fruit flies, and cabbages while recalling the “forgiveness of the Catbird” and random acts of kindness, all with his superb ear for sound, rhythm, and leaping figurative language.

Rhythmic, jovial, and eminently approachable, this collection embraces the Cetacean mind and the fearless left hand. Here, Lenfestey writes love songs to the world “as it really is: bizarro, curious, inelegant, unclean, / unfaithful, filled with delight.”

Time Remaining

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    A Paperback by James P. Lenfestey

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    Order before 4pm today for delivery by Tue 17 Nov 2026.

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      Book details

      Publisher Milkweed Editions
      Published 2 January 2025
      ISBN-13 9781571315748
      978-1571315748
      ISBN-10 1571315748

      Description

      Book Synopsis

      An exuberant collection celebrating the body and the soul of language, wringing delights and amazements out of the latter years of life.

      In his seventh decade and seventh full length collection, poet James P. Lenfestey dazzles with a suite of odes to parts of the body—heart, belly, ankle, teeth, ears, and more—and astonishment at the powers of language: “the sound of ‘n,’” our ancient alphabet, “the terror of publishing.” Known for his exuberant Chinese-style lyrics, now inspired by Neruda’s cascading Elemental Odes, Lenfestey praises Hewlett and Packard, Bruce Springsteen, “the language of crow,” fruit flies, and cabbages while recalling the “forgiveness of the Catbird” and random acts of kindness, all with his superb ear for sound, rhythm, and leaping figurative language.

      Rhythmic, jovial, and eminently approachable, this collection embraces the Cetacean mind and the fearless left hand. Here, Lenfestey writes love songs to the world “as it really is: bizarro, curious, inelegant, unclean, / unfaithful, filled with delight.”

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