Description

Book Synopsis
Four Arms, Two Necks is a setting of a 17th-century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeare's play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico García Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablao's of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorca's poetry vibrated daily an

Three Songs

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      Publisher: Schott Music Ltd., London
      Publication Date: Publication Date: 1/21/2024
      ISBN13: 9790220139628, 979-0220139628
      ISBN10: 9790220139628

      Description

      Book Synopsis
      Four Arms, Two Necks is a setting of a 17th-century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeare's play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico García Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablao's of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorca's poetry vibrated daily an

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