Description
Book SynopsisA collection of essays exploring Thomas Kinkades career, his artistic production, and its impact on contemporary art as part of the broader history of American visual culture.
Trade Review“At last, a thoughtful book on Thomas Kinkade. This is much more than a case of visual studies replacing art history with social and economic analyses: the contributors wrestle with value, quality, irony, self-reflexivity, aesthetics, taste, complexity, class, religion, nostalgia, and kitsch. Despite what several authors argue or hope, this excellent book implies Kinkade is very much a part of contemporary fine art: he troubles the discourses of art history, art theory, and visual studies in just the way an exemplary artist should.”—
James Elkins, author of
On the Strange Place of Religion in Contemporary Art“This excellent anthology is a significant contribution to scholarship at the interstices of art practice, art theory, and popular culture. It is an erudite book that brings together diverse approaches to Thomas Kinkade’s work and ‘culture,’ yet maintains a surprisingly even quality of thought and writing.”—
Maria Elena Buszek, author of
Pin-Up Grrrls: Feminism, Sexuality, Popular Culture“[A] wide-ranging, incisive interpretation of one of the most popular yet polarizing artists of our time. Whatever you may know or think about Kinkade, this book will press you to consider his work and the significance of its popularity in new ways.” -- Michael Clapper * AHAA Reviews *
“Edited by art historian Alexis L. Boylan and published by a major university press, this book challenges Kinkade’s exclusion from the art world’s rarefied discourses. In so doing, it surely counts as something of an event. . . . Perhaps the primary benefit of this book lies in the skill with which it teases out the vagaries of the art world’s love-hate affair with its own significant Other: mass culture.” -- Joachim Pissarro and David Carrier * Artforum *
“This collection illuminates controversial currents in the contemporary art world and consumer culture. Though focused on a single artist, the debates over what constitutes art in a postmodern world, where art ends and commerce begins, the ubiquity of branding and marketing; and the social politics of cultural production and consumption transcend Kinkade’s work and can be used to analyse other developments in contemporary society.” -- Judith R. Halasz * Visual Studies *
“Whether you love or hate ‘the painter of light,’ this collection of essays will both affirm your view and challenge it. . . . Readable yet scholarly, this book bridges the same sectors Kinkade’s work does, and is deserving of a broad audience. Highly recommended. Lower-level undergraduates and above; general readers.” -- E. K. Mix * Choice *
Table of ContentsIllustrations vii
Acknowledgments ix
Introduction / Alexis L. Boylan 1
Thomas Kinkade and the History of Protestant Visual Culture in America / David Morgan 29
Painter of the Right: Thomas Kinkade's Political Art / Micki McElya 54
God in the Retails: Thomas Kinkade and Market Piety / Seth Feman 81
Brand-Name Living from the Painter of Light / Karal Ann Marling 107
Purchasing Paradise: Nostalgic Longing and the Painter of Light / Andrea Wolk Rager 124
Repetition, Exclusion, and the Urbanism of Nostalgia: The Architecture of Thomas Kinkade / Christopher E. M. Pearson 143
"A Temple Next Door": The Thomas Kinkade Museum and Cultural Center / Julia Alderson 165
Thomas Kinkade's Heaven on Earth / Jeffrey Vallance 191
Manufacturing "Masterpieces" for the Market: Thomas Kinkade and the Rhetoric of High Art / Monica Kjellman-Chapin 206
Art Ethics: Thomas Kinkade and Contemporary Art / Anna Brzyski 238
Bibliography 259
Contributors 275
Index 277
