Description

Book Synopsis
This Is Not a Skyscraper examines New York City through a surrealist lens. Like the title of Magritte’s painting, “This is not a pipe,” these poems question perceptions of the metropolis. While NYC entices talents that swarm its stages, museums, runways, and readings, throngs of outsiders live on the city’s margins, silenced. Among the grotesqueries of corruption, an African immigrant is killed by police in a case of mistaken identity. His disembodied voice introduces the book. Many of these poems attempt to speak for the “others” existing on the peripheral, whose perspectives have been abandoned.

Trade Review

Most of his poems are also lyrical, with striking imagery. Here is a poignant description of a Coney Island sideshow performer in the beginning lines of “Scorpion Cowboy,” from This is Not a Skyscraper.

How does he tend to the body’s needs? Clunk! His pincers thud like sand-filled shoes. Making his mother’s body bleed

when he was a boy, he swore he’d mask his thalidomide shame like a bruise.

-Sharon Olinka

This Is Not a Skyscraper

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    RRP £13.99 – you save £0.70 (5%)

    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Paperback / softback by Dean Kostos

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      View other formats and editions of This Is Not a Skyscraper by Dean Kostos

      Publisher: Red Hen Press
      Publication Date: 21/05/2015
      ISBN13: 9781597094160, 978-1597094160
      ISBN10: 1597094161

      Description

      Book Synopsis
      This Is Not a Skyscraper examines New York City through a surrealist lens. Like the title of Magritte’s painting, “This is not a pipe,” these poems question perceptions of the metropolis. While NYC entices talents that swarm its stages, museums, runways, and readings, throngs of outsiders live on the city’s margins, silenced. Among the grotesqueries of corruption, an African immigrant is killed by police in a case of mistaken identity. His disembodied voice introduces the book. Many of these poems attempt to speak for the “others” existing on the peripheral, whose perspectives have been abandoned.

      Trade Review

      Most of his poems are also lyrical, with striking imagery. Here is a poignant description of a Coney Island sideshow performer in the beginning lines of “Scorpion Cowboy,” from This is Not a Skyscraper.

      How does he tend to the body’s needs? Clunk! His pincers thud like sand-filled shoes. Making his mother’s body bleed

      when he was a boy, he swore he’d mask his thalidomide shame like a bruise.

      -Sharon Olinka

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