Description

Book Synopsis

The outrageous sequel to Don't Tell Mum I Work on the Rigs (She Thinks I'm a Piano Player in a Whorehouse) brings more great stories from the far side of civilization - hilarious, full of humour, colourful characters and dramatic action!

Just another glorious day in the oilfield for Paul Carter! He's stuck in the middle of the Russian sea on a rig staffed by a crew from Azerbaijan. The choppers are older than him and can only fly by line of sight, turning back regularly due to the weather which gets particuarly interesting when they are past the point of no return with half there fuel gone and they are committed to finding the rig in a fog that's thicker than a Big Brother housemate.

The closest thing to a hotel for miles around is the Asylum, a former soviet mental institution that now houses offshore personnel en-route to the rig, where his room mates are Vodka Bob - who drinks Guinness for breakfast when he's not on the rig - Sick Boy, who snores like a pit bull being hot-waxed and Sealbasher.

In his inimitable style Paul Carter regales us with his colourful adventures from the front line of thee oil industry and the far side of civilization!



Trade Review
If you're looking for a rip-roaring, rollicking roster of drunken antics, tropical diseases and bad behaviour, you won't go far wrong. * Amazon reviews *
Get ready for loosely connected, bawdy stories about the author and his outrageous friends. Some tales come from the oil rigs Carter worked on, but most take place in bars, where misogynistic alpha males drown themselves in a sea of liquor. How about the one where a bloke with a glass eye pops it into someone's beer, and the crowd waits until the victim quaffs the last ounce to see it staring at him from the bottom of his glass? Carter narrates the audiobook in his working-class Australian accent, loaded with the national vocabulary of 'mates', 'queuing', 'boiled sweets', and 'rubbing one out' (think gas). His rapid narrative style leaves the listener little time to ponder the novel metaphors, similes, and analogies. * Audiofile Magazine *

This Is Not A Drill: Just Another Glorious Day in

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A Paperback / softback by Paul Carter

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    View other formats and editions of This Is Not A Drill: Just Another Glorious Day in by Paul Carter

    Publisher: John Murray Press
    Publication Date: 22/09/2011
    ISBN13: 9781857885637, 978-1857885637
    ISBN10: 1857885635

    Description

    Book Synopsis

    The outrageous sequel to Don't Tell Mum I Work on the Rigs (She Thinks I'm a Piano Player in a Whorehouse) brings more great stories from the far side of civilization - hilarious, full of humour, colourful characters and dramatic action!

    Just another glorious day in the oilfield for Paul Carter! He's stuck in the middle of the Russian sea on a rig staffed by a crew from Azerbaijan. The choppers are older than him and can only fly by line of sight, turning back regularly due to the weather which gets particuarly interesting when they are past the point of no return with half there fuel gone and they are committed to finding the rig in a fog that's thicker than a Big Brother housemate.

    The closest thing to a hotel for miles around is the Asylum, a former soviet mental institution that now houses offshore personnel en-route to the rig, where his room mates are Vodka Bob - who drinks Guinness for breakfast when he's not on the rig - Sick Boy, who snores like a pit bull being hot-waxed and Sealbasher.

    In his inimitable style Paul Carter regales us with his colourful adventures from the front line of thee oil industry and the far side of civilization!



    Trade Review
    If you're looking for a rip-roaring, rollicking roster of drunken antics, tropical diseases and bad behaviour, you won't go far wrong. * Amazon reviews *
    Get ready for loosely connected, bawdy stories about the author and his outrageous friends. Some tales come from the oil rigs Carter worked on, but most take place in bars, where misogynistic alpha males drown themselves in a sea of liquor. How about the one where a bloke with a glass eye pops it into someone's beer, and the crowd waits until the victim quaffs the last ounce to see it staring at him from the bottom of his glass? Carter narrates the audiobook in his working-class Australian accent, loaded with the national vocabulary of 'mates', 'queuing', 'boiled sweets', and 'rubbing one out' (think gas). His rapid narrative style leaves the listener little time to ponder the novel metaphors, similes, and analogies. * Audiofile Magazine *

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