Description

Book Synopsis

Thinking On Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas.



Trade Review

'A powerful defense of the view that films can philosophize. Characterized by its clear and lively presentation, and by its intertwining of philosophical argument with detailed discussion of several important films, it will be of interest not just to those studying philosophy and film but to everyone who believes in the importance of film to our cognitive life.' – Berys Gaut, University of St Andrews, UK



Table of Contents
List of figures, Preface, 1. Can philosophy be screened?, 2. Are there limits to film’s philosophical capabilities?, 3. Illustrating a philosophical theory: Modern Times, 4. A skeptical thought experiment: The Matrix, 5. Arguing against utilitarianism: Eternal Sunshine of the Spotless Mind, 6. Moral intelligence and the limits of loyalty: The Third Man, 7. Foregrounding the background: Empire and The Flicker, 8. The nature of cinematic philosophy, Notes, Bibliography, Index

Thinking on Screen Film as Philosophy

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    A Paperback by Thomas E. Wartenberg

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      View other formats and editions of Thinking on Screen Film as Philosophy by Thomas E. Wartenberg

      Publisher: Taylor & Francis Ltd (Sales)
      Publication Date: 10/30/2007 12:00:00 AM
      ISBN13: 9780415774314, 978-0415774314
      ISBN10: 0415774314

      Description

      Book Synopsis

      Thinking On Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas.



      Trade Review

      'A powerful defense of the view that films can philosophize. Characterized by its clear and lively presentation, and by its intertwining of philosophical argument with detailed discussion of several important films, it will be of interest not just to those studying philosophy and film but to everyone who believes in the importance of film to our cognitive life.' – Berys Gaut, University of St Andrews, UK



      Table of Contents
      List of figures, Preface, 1. Can philosophy be screened?, 2. Are there limits to film’s philosophical capabilities?, 3. Illustrating a philosophical theory: Modern Times, 4. A skeptical thought experiment: The Matrix, 5. Arguing against utilitarianism: Eternal Sunshine of the Spotless Mind, 6. Moral intelligence and the limits of loyalty: The Third Man, 7. Foregrounding the background: Empire and The Flicker, 8. The nature of cinematic philosophy, Notes, Bibliography, Index

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