Description
Book SynopsisThe Ethiope, the tawny Tartar, the woman blackamoore, and knotty Africanismsallusions to blackness abound in Renaissance texts. Kim F. Hall''s eagerly awaited book is the first to view these evocations of blackness in the contexts of sexual politics, imperialism, and slavery in early modern England. Her work reveals the vital link between England''s expansion into realms of difference and othernessthrough exploration and colonialism-and the highly charged ideas of race and gender which emerged.
How, Hall asks, did new connections between race and gender figure in Renaissance ideas about the proper roles of men and women? What effect did real racial and cultural difference have on the literary portrayal of blackness? And how did the interrelationship of tropes of race and gender contribute to a modern conception of individual identity? Hall mines a wealth of sources for answers to these questions: travel literature from Sir John Mandeville''s Travels to Leo Africanus'
