Description

Book Synopsis

Scholars of religion have begun to explore horror and the monstrous, not simply within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. This volume pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.



Table of Contents

Introduction: Theology and Horror

Brandon R. Grafius and John W. Morehead

Section One: Horrifying Foundations

Chapter 1 Consider the Yattering: The Infernal Order and the Religious Imagination in Real Time Douglas E. Cowan

Chapter 2 The Theological Origins of Horror Steve A. Wiggins

Chapter 3 Mysterium Horrendum: Exploring Otto's Concept of the Numinous in Stoker, Machen, and Lovecraft Jack Hunter

Section Two: Christianizing the Monster

Chapter 4 Priests, Secrets, and Holy Water: All I Ever Learned About Catholicism I Learned from Horror Films Karrȧ Shimabukuro

Chapter 5 “We Have to Stop the Apocalypse!”: Pre- Millennial (Mis)Representations of Revelation and Eschaton in Horror Cinema Kevin J. Wetmore, Jr.

Chapter 6 Gnostic Terror: Subverting the Narrative of Horror Alyssa J. Beall

Section Three: Paranormal World, Monstrous History

Chapter 7 A Longing for Reconciliation: The Ghost Story as Demand for Corporeal and Terrestrial Justice Joshua Wise

Chapter 8 Who’s afraid of the Big Bad Wolf?: Two Models of Christian Theological Engagement with Lycanthropy Michael A. Hammett

Chapter 9 Endings that Never Happen: Otherness, Indecent Theology, Apocalypse, & Zombies Jessi Knippel

Section Four: Readings in Theology and the Horror Film

Chapter 10 “Do I Look Like Someone Who Cares What God Thinks?”: Narrative Ambiguity, Religion, and the Afterlife in the Hellraiser Franchise Mark Richard Adams

Chapter 11 Ferocious Marys and Dark Alessas: The Portrayal of Religious Matriarchies in Silent Hill Amy Beddows

Chapter 12 “They Say with Jason Death Comes First/ He’ll Make Hell a Place on Earth”: The Functions of Hell in New Line’s Jason Sequels Wickham Clayton

Theology and Horror: Explorations of the Dark

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    A Hardback by Brandon R. Grafius, John W. Morehead, Mark Richard Adams

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      Publisher: Rowman & Littlefield
      Publication Date: 02/03/2021
      ISBN13: 9781978707986, 978-1978707986
      ISBN10: 1978707983

      Description

      Book Synopsis

      Scholars of religion have begun to explore horror and the monstrous, not simply within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. This volume pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.



      Table of Contents

      Introduction: Theology and Horror

      Brandon R. Grafius and John W. Morehead

      Section One: Horrifying Foundations

      Chapter 1 Consider the Yattering: The Infernal Order and the Religious Imagination in Real Time Douglas E. Cowan

      Chapter 2 The Theological Origins of Horror Steve A. Wiggins

      Chapter 3 Mysterium Horrendum: Exploring Otto's Concept of the Numinous in Stoker, Machen, and Lovecraft Jack Hunter

      Section Two: Christianizing the Monster

      Chapter 4 Priests, Secrets, and Holy Water: All I Ever Learned About Catholicism I Learned from Horror Films Karrȧ Shimabukuro

      Chapter 5 “We Have to Stop the Apocalypse!”: Pre- Millennial (Mis)Representations of Revelation and Eschaton in Horror Cinema Kevin J. Wetmore, Jr.

      Chapter 6 Gnostic Terror: Subverting the Narrative of Horror Alyssa J. Beall

      Section Three: Paranormal World, Monstrous History

      Chapter 7 A Longing for Reconciliation: The Ghost Story as Demand for Corporeal and Terrestrial Justice Joshua Wise

      Chapter 8 Who’s afraid of the Big Bad Wolf?: Two Models of Christian Theological Engagement with Lycanthropy Michael A. Hammett

      Chapter 9 Endings that Never Happen: Otherness, Indecent Theology, Apocalypse, & Zombies Jessi Knippel

      Section Four: Readings in Theology and the Horror Film

      Chapter 10 “Do I Look Like Someone Who Cares What God Thinks?”: Narrative Ambiguity, Religion, and the Afterlife in the Hellraiser Franchise Mark Richard Adams

      Chapter 11 Ferocious Marys and Dark Alessas: The Portrayal of Religious Matriarchies in Silent Hill Amy Beddows

      Chapter 12 “They Say with Jason Death Comes First/ He’ll Make Hell a Place on Earth”: The Functions of Hell in New Line’s Jason Sequels Wickham Clayton

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