Description
Book SynopsisPerformance, dramaturgy and scenography are often explored in isolation, but in
Theatrical Reality, Campbell Edinborough describes their connectedness in order to investigate how the experience of reality is constructed and understood during performance. Drawing on sociological theory, cognitive psychology and embodiment studies, Edinborough analyses our seemingly paradoxical understanding of theatrical reality, guided by the contexts shaping relationships between performer, spectator and performance space. Through a range of examples from theatre, dance, circus and film,
Theatrical Reality examines how the liminal spaces of performance foster specific ways of conceptualising time, place and reality.
Trade Review'The book asks seemingly simple, but extremely complex questions such as “What do we mean by theatricality?” and “How might we define reality within the context of theatrical performance?” The concept of scenic space is paramount throughout the book. Of course, the complexity of these questions does not mean that they should not be tackled – rather, it is a brave scholar that chooses to address these issues head on. In my judgment, this book does just that with considerable aplomb and, I believe, success.'
-- Christopher Baugh, Emeritus Professor at University of Leeds
Table of ContentsIntroduction
Chapter 1
Locating Theatrical Reality Chapter 2
Embodiment and the Dialectical Reality of Scenic Space Chapter 3
Watching Bodies in Theatrical Space Chapter 4
Authentic Fictions: Truthful Behaviour in Given Circumstances Chapter 5
Alienated Realities Chapter 6
Theatrical Reality Beyond the Theatre Walls Chapter 7
Spectatorial Corporeality and Theatrical Intimacy Chapter 8
Meta-Realities in Autobiographical Theatre, Film and Television Conclusion
