Description

Book Synopsis
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference.

Table of Contents
  • Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” — Stefan Aquilina
  • “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon — Vivian Appler
  • Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress — Kristi Good
  • Staging Ajax’s Suicide: A Historiography — Peter A. Campbell
  • Rousing Experiences: Theatre, Politics, and Change — Brian E. G. Cook
  • Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze — Megan Lewis
  • Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy — Patricia Gaborik
  • To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring — Ilinca Todorut And Anthony Sorge
  • Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today — Shulamith Lev-Aladgem
  • “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements — Christine Woodworth
  • “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism — Lurana Donnels O’Malley
  • The Lasting Theatre of Dario Fo and Franca Rame — Juliet Guzzetta
  • Chavez Ravine: Culture Clash and the Political Project of Rewriting History — Ashley E. Lucas
  • The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity — Noe Montez

Theatre History Studies 2018 Volume 37

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      Publisher: The University of Alabama Press
      Publication Date: 12/30/2018 12:00:00 AM
      ISBN13: 9780817371128, 978-0817371128
      ISBN10: 0817371125
      Also in:
      Theatre studies

      Description

      Book Synopsis
      A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference.

      Table of Contents
      • Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” — Stefan Aquilina
      • “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon — Vivian Appler
      • Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress — Kristi Good
      • Staging Ajax’s Suicide: A Historiography — Peter A. Campbell
      • Rousing Experiences: Theatre, Politics, and Change — Brian E. G. Cook
      • Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze — Megan Lewis
      • Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy — Patricia Gaborik
      • To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring — Ilinca Todorut And Anthony Sorge
      • Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today — Shulamith Lev-Aladgem
      • “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements — Christine Woodworth
      • “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism — Lurana Donnels O’Malley
      • The Lasting Theatre of Dario Fo and Franca Rame — Juliet Guzzetta
      • Chavez Ravine: Culture Clash and the Political Project of Rewriting History — Ashley E. Lucas
      • The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity — Noe Montez

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