Description
Book SynopsisOriginally appearing as a comic book in the 1960s, X-Men has been a cultural touchpoint for decades. Since the release of the first film in 2000, the series has enjoyed an even greater transnational presence. With each successive film, the franchise has secured its place within global popular culture, becoming one of the most profitable and complex superhero series to date. While much of the research that has been published on the X-Men focuses on the comics, the movies constitute their own cultural text and deserve special attention. In The X-Men Films: A Cultural Analysis, Claudia Bucciferro has assembled a collection of essays that draw from work in communication, cultural studies, and media studies. With contributions from a diverse group of scholars, the chapters analyze issues that include gender, sexuality, disability, class, and race. The contributors pose intriguing questions about the franchise, such as: What do mutants really represent? What role do women and people of color
Trade ReviewA well-written, engaging exploration of the X-Men films and is sure to delight both scholar and fan alike. * Studies in Popular Culture *
Table of ContentsAcknowledgments Introduction Claudia Bucciferro Part I: Utopian and Immersive Experiences 1 Mutopia: American Utopianism and the Mutant Superhero Matt Yockey 2 The Immersive Marketing Campaign for X-Men: Days of Future Past Nicolò Gallio Part II: Agency and Authority 3 Superhuman Authority: Fascism and Bioethics in the X-Men Films Evan Hayles Gledhill 4 Magneto’s Dilemma: The Technological Limitations of Mutant Transhumanism Ron Von Burg and D. Stokes Piercy 5 PTXD: Gendered Narratives of Combat, Trauma, and the Civil-Military Divide Christina M. Knopf and Christine M. Doran Part III: Women and Power 6 Containing the X-Women: De-powering and De-queering Female Characters Carolyn Cocca 7 Shape-Shifting Identity: Mystique’s Embodied Agency Jason Zingsheim 8 The “Stolen” Superpowers of Marvel’s Rogue Julie Davis and Robert Westerfelhaus 9 The Curious Case of “Dr.” Jean Grey, Mystique, and Mariko Barbara Cook Overton, Athena du Pré, Loretta L. Pecchioni, and John H. Overton Part IV: Masculinity and Race 10 Wolverine in Transition: Shifting Portrayals of Masculinity and Identity Nathan Miczo 11 Techno-Orientalist Villains and White Masculinity in the Wolverine Movies David C. Oh 12 Reframing Disabled Masculinity: Xavier as Marvel’s Supercrip Jessica Benham 13 Mutating Minorities: White Racial Framing and Group Positioning Jason Smith Part V: Passing and Otherness 14 Passing While Homo Superior Kat Overland 15 Mutancy, Otherness, and Empathy in the X-Men Claudia Bucciferro Epilogue Jason Zingsheim and Claudia Bucciferro Index About the Editor and Contributors
