Description
Book SynopsisKathryn Ambrose offers a new approach to the Woman Question in mid- to late-nineteenth-century English, German and Russian literature. Using a methodological framework based on feminist theory and post-structuralism, she provides a re-vision of canonical texts (such as Jane Eyre, Wuthering Heights, Middlemarch, Effi Briest, Fathers and Children and Anna Karenina) alongside lesser-known works by Emily and Charlotte Brontë, George Eliot, Theodor Storm, Theodor Fontane, Ivan Turgenev and Leo Tolstoy. Her exploration of the semiotics of barriers – as opposed to the established approach of the semiotics of space – makes for a rewarding reading of this period of literature and establishes new cross-cultural and literary connections between the three countries.
Table of ContentsContents Introduction Chapter 1: Brontë or Bell? Identity as Barrier in the Works of Charlotte and Emily Brontë Chapter 2: George Eliot and the “Superfluous Woman”: A Subtle Means of Protest? Chapter 3: Women in Theodor Storm: The Opposition of Conformity and Otherness Chapter 4: From Sleeping Beauty to Career Woman: The Development of Women’s Roles in Theodor Fontane Chapter 5: Turgenev and the Woman Question: Layering Barriers Chapter 6: Tolstoy, Women and Barriers: Inflexible Closedness Conclusion Bibliography
