Description

Book Synopsis
The Witch as Muse is an interdisciplinary study of varied contexts and discourses that intersect in early modern artists' representations of witchcraft.

Trade Review
"The Witch as Muse . . . is not simply an art history book with an intriguing theme; it is an exceptionally well-written monograph produced by an art historian who has spent over a decade thinking about her subject." * The Medieval Review *
"The most significant and broad-reaching study we have on the place of the witch in the imagination of artists from the early sixteenth to the early nineteenth centuries. . . . Learned, sophisticated, and compelling." * CAA Reviews *

Table of Contents

List of Illustrations
Preface
Chapter 1. The Witch as Woman
Chapter 2. The Witch as Muse
Chapter 3. Inventing the Witch in the European Heartland: Dürer and Baldung
Chapter 4. Francken, the Rhetoric of Habsburg Power, and Artistic Invention in Antwerp
Chapter 5. The Art of Describing Delusion: De Gheyn and the Dutch Variant
Chapter 6. Rosa: Witchcraft and the Fiery Painter
Chapter 7. Between Enlightenment and Horror: Goya's Reinvention of the Witch
Notes
Bibliography
Index
Acknowledgments

The Witch as Muse

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    Order before 4pm tomorrow for delivery by Fri 7 Aug 2026.

    A Paperback / softback by Linda C. Hults

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      Publisher: University of Pennsylvania Press
      Publication Date: Publication Date: 29/03/2011
      ISBN13: 9780812221459, 978-0812221459
      ISBN10: 0812221451

      Description

      Book Synopsis
      The Witch as Muse is an interdisciplinary study of varied contexts and discourses that intersect in early modern artists' representations of witchcraft.

      Trade Review
      "The Witch as Muse . . . is not simply an art history book with an intriguing theme; it is an exceptionally well-written monograph produced by an art historian who has spent over a decade thinking about her subject." * The Medieval Review *
      "The most significant and broad-reaching study we have on the place of the witch in the imagination of artists from the early sixteenth to the early nineteenth centuries. . . . Learned, sophisticated, and compelling." * CAA Reviews *

      Table of Contents

      List of Illustrations
      Preface
      Chapter 1. The Witch as Woman
      Chapter 2. The Witch as Muse
      Chapter 3. Inventing the Witch in the European Heartland: Dürer and Baldung
      Chapter 4. Francken, the Rhetoric of Habsburg Power, and Artistic Invention in Antwerp
      Chapter 5. The Art of Describing Delusion: De Gheyn and the Dutch Variant
      Chapter 6. Rosa: Witchcraft and the Fiery Painter
      Chapter 7. Between Enlightenment and Horror: Goya's Reinvention of the Witch
      Notes
      Bibliography
      Index
      Acknowledgments

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