Description

Book Synopsis
Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period.

The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.

Table of Contents
Introduction: Working with Huizinga’s Legacy
Tracy Adams and Charles-Louis Morand-Mètivier

1 Color Values, or Life with Grey
Andrea Tarnowski

2 Jean de Meun and Visual Eroticism in Fifteenth-Century Culture
Stephen G. Nichols

3 Jean Chartier and the End of the Historical Tradition at Saint-Denis
Derek R. Whaley

4 “Present en sa personne”: Identity and Celebrity in Fifteenth-Century Franco-Burgundian Literature
Helen Swift

5 Rethinking Patronage in Late Medieval France: Networks of Influence in Manuscript Production and Reception
Anneliese Pollock Renck

6 The Rhètoriqueurs and the Transition from Manuscript to Print
Cynthia J. Brown

7 François Villon and France: Emotional (De)constructions
Charles-Louis Morand-Mètivier

8 La Belle Dame of Chartier Manuscripts: Beinecke 1216, the Clumber Park Chartier
Joan E. McRae

9 Agnès Sorel, Celebrity, and Late Medieval French Visual Culture
Tracy Adams

10 No Job for a Man: Fifteenth-Century France and the Invention of the Institution of Female Regency
Zita Eva Rohr

Conclusion: French Historians in Search of the Historiographical Identity of the French Fifteenth Century
Franck Collard (translated by Tracy Adams)

Bibliography

Contributors

Index

The Waxing of the Middle Ages: Revisiting Late

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    A Paperback / softback by Charles-Louis Morand-Métivier, Tracy Adams, Andrea Tarnowski

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      View other formats and editions of The Waxing of the Middle Ages: Revisiting Late by Charles-Louis Morand-Métivier

      Publisher: University of Delaware Press
      Publication Date: Publication Date: 14/04/2023
      ISBN13: 9781644532904, 978-1644532904
      ISBN10: 1644532905

      Description

      Book Synopsis
      Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period.

      The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.

      Table of Contents
      Introduction: Working with Huizinga’s Legacy
      Tracy Adams and Charles-Louis Morand-Mètivier

      1 Color Values, or Life with Grey
      Andrea Tarnowski

      2 Jean de Meun and Visual Eroticism in Fifteenth-Century Culture
      Stephen G. Nichols

      3 Jean Chartier and the End of the Historical Tradition at Saint-Denis
      Derek R. Whaley

      4 “Present en sa personne”: Identity and Celebrity in Fifteenth-Century Franco-Burgundian Literature
      Helen Swift

      5 Rethinking Patronage in Late Medieval France: Networks of Influence in Manuscript Production and Reception
      Anneliese Pollock Renck

      6 The Rhètoriqueurs and the Transition from Manuscript to Print
      Cynthia J. Brown

      7 François Villon and France: Emotional (De)constructions
      Charles-Louis Morand-Mètivier

      8 La Belle Dame of Chartier Manuscripts: Beinecke 1216, the Clumber Park Chartier
      Joan E. McRae

      9 Agnès Sorel, Celebrity, and Late Medieval French Visual Culture
      Tracy Adams

      10 No Job for a Man: Fifteenth-Century France and the Invention of the Institution of Female Regency
      Zita Eva Rohr

      Conclusion: French Historians in Search of the Historiographical Identity of the French Fifteenth Century
      Franck Collard (translated by Tracy Adams)

      Bibliography

      Contributors

      Index

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