Description
Book Synopsis____________________________________
Featured in The Times Top 10 Crime Books of the Decade
The twenty-fourth book in the bestselling Detective Chief Inspector Wexford series, from the author of classic detective fiction and gripping psychological thrillers including End in Tears and Thirteen Steps Down.
The impossible has happened. Chief Inspector Reg Wexford has retired from the crime force. He and his wife, Dora, now divide their time between Kingsmarkham and a coachhouse in Hampstead, belonging to their actress daughter, Sheila.
Wexford takes great pleasure in his books, but, for all the benefits of a more relaxed lifestyle, he misses being the hand of the law.
But a chance meeting in a London street, with someone he had known briefly as a very young police constable, changes everything. Tom Ede is now a Detective Superintendent, and is very keen to recruit Wexford as an adviser on a mysteriou
Trade Review
Ruth Rendell is a marvel, and in the latest Inspector Wexford mystery she's on cracking form ...A total page-turner - and one of Rendell's very, very best novels. -- A.N. Wilson
Everything that is brilliant about Rendell's writing is present in abundance in this novel: the vivid scene-setting, the knife-sharp social observations, the tiny telling details that contribute so powerfully to characterisation . . . The Vault is an excellent addition to an incredibly impressive series. * Sunday Express *
The Vault sees Rendell for the first time marry the two genres she is master of: the psychological thriller and the police whodunit . . There's not a clue out of place or a shoehorned plotline in sight. * Time Out *
Now Wexford has retired, Rendell has spotted an opportunity to bring her two strands together in a superb novel called The Vault . . . the author's sheer technical skill is evident as she effortlessly brings the original story up to date. Only a novelist whose characters feel intensely real to her could pull off such a coup. * Sunday Times *
The Vault, as a sort-of-sequel is a bold attempt to combine Rendell's two chosen specialties: the police procedural and the psychological thriller. No one hides the clues better than her; no one else creates such a pervasive atmosphere of almost comic disgust and dread. * Evening Standard *
