Description

Book Synopsis
In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album, and along with it, the cover The Tide Is High originally written by Jamaican legend John Holt. With percussion by Peruvian drummer and veteran L.A. session musician Alex Acuna and horns and violins that were pure L.A. mariachi by way of Mexico, The Tide Is High demonstrates just one example of the ways in which the music of Los Angeles and Latin America have been intertwined since the birth of the city in the 18th century. The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time LA/LA, the book shows how Latin American musicians and music have helped shape the city's culture, from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Perez Prado and Juan Garcia Esquivel.

Trade Review
Best Latino/Latin American History Books of 2017 * Remezcla *

Table of Contents
Preface
Acknowledgments

Introduction: The Tide Was Always High
Josh Kun

1. Mexican Musical Theater and Movie Palaces in Downtown Los Angeles before 1950
John Koegel

2. Rumba Emissaries
Alexandra T. Vazquez

3. Doing the Samba on Sunset Boulevard: Carmen Miranda and the Hollywoodization of Latin American Music
Walter Aaron Clark

4. Walt Disney’s Saludos Amigos: Hollywood and the Propaganda of Authenticity
Carol A. Hess

5. A Century of Latin Music at the Hollywood Bowl
Agustin Gurza

6. Voice of the Xtabay and Bullock’s Wilshire: Hearing Yma Sumac from Southern California
Carolina A. Miranda

7. Musical Anthropology: A Conversation with Elisabeth Waldo
Gabriel Reyes-Whittaker

8. Esquivel!
Hans Ulrich Obrist

9. Listening across Boundaries: Soundings from the Paramount Ballroom and Boyle Heights
David F. Garcia

10. Studio Stories: Interviews with Session Musicians
Betto Arcos and Josh Kun

11. From Bahianas to the King of Pop . . . : A Speculative History of Brazilian Music into Los Angeles
Brian Cross

12. Heroes and Saints
Luis Alfaro

13. Staging the Dance of Coalition with Versa-Style and CONTRA-TIEMPO
Cindy García

14. Booming Bandas of Los Ángeles: Gender and the Transnational Zapotec Philharmonic Brass Bands
Xóchitl C. Chávez

15. Caminos y Canciones en Los Angeles, CA
Martha Gonzalez

List of Contributors
Index

The Tide Was Always High

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    A Paperback / softback by Josh Kun

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      Publisher: University of California Press
      Publication Date: 26/09/2017
      ISBN13: 9780520294400, 978-0520294400
      ISBN10: 0520294408

      Description

      Book Synopsis
      In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album, and along with it, the cover The Tide Is High originally written by Jamaican legend John Holt. With percussion by Peruvian drummer and veteran L.A. session musician Alex Acuna and horns and violins that were pure L.A. mariachi by way of Mexico, The Tide Is High demonstrates just one example of the ways in which the music of Los Angeles and Latin America have been intertwined since the birth of the city in the 18th century. The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time LA/LA, the book shows how Latin American musicians and music have helped shape the city's culture, from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Perez Prado and Juan Garcia Esquivel.

      Trade Review
      Best Latino/Latin American History Books of 2017 * Remezcla *

      Table of Contents
      Preface
      Acknowledgments

      Introduction: The Tide Was Always High
      Josh Kun

      1. Mexican Musical Theater and Movie Palaces in Downtown Los Angeles before 1950
      John Koegel

      2. Rumba Emissaries
      Alexandra T. Vazquez

      3. Doing the Samba on Sunset Boulevard: Carmen Miranda and the Hollywoodization of Latin American Music
      Walter Aaron Clark

      4. Walt Disney’s Saludos Amigos: Hollywood and the Propaganda of Authenticity
      Carol A. Hess

      5. A Century of Latin Music at the Hollywood Bowl
      Agustin Gurza

      6. Voice of the Xtabay and Bullock’s Wilshire: Hearing Yma Sumac from Southern California
      Carolina A. Miranda

      7. Musical Anthropology: A Conversation with Elisabeth Waldo
      Gabriel Reyes-Whittaker

      8. Esquivel!
      Hans Ulrich Obrist

      9. Listening across Boundaries: Soundings from the Paramount Ballroom and Boyle Heights
      David F. Garcia

      10. Studio Stories: Interviews with Session Musicians
      Betto Arcos and Josh Kun

      11. From Bahianas to the King of Pop . . . : A Speculative History of Brazilian Music into Los Angeles
      Brian Cross

      12. Heroes and Saints
      Luis Alfaro

      13. Staging the Dance of Coalition with Versa-Style and CONTRA-TIEMPO
      Cindy García

      14. Booming Bandas of Los Ángeles: Gender and the Transnational Zapotec Philharmonic Brass Bands
      Xóchitl C. Chávez

      15. Caminos y Canciones en Los Angeles, CA
      Martha Gonzalez

      List of Contributors
      Index

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