Description
Book SynopsisIn The Theatre and Its Double, first published in 1938, Antonin Artaud puts forward his radical theories on drama and theatre, which he saw as being stifled by conservatism and a lack of experimentation.
Containing the famous manifestos of the Theatre of Cruelty', this collection of essays analyses the underlying impulses of performance, provides suggestions on a physical-training method for actors, and features a long appreciation of the expressive values of Eastern dance drama.
This new English translation of Artaud''s canonical text by Mark Taylor-Batty retains the idiosyncratic nature of the author''s writing, communicating its fervour and ambition, while achieving a much-needed clarity.
Through doing so, it facilitates a fuller appreciation of Artaud's artistic objectives and the original context in which they grew, aided by a newly translated set of his notes and drafts, and a selection of letters to his publisher, friends and associates concerning
